Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
My walk into Warwick, again, was full of pleasure. I heard the clock
strike in the tower of St. Mary’s, which I saw over a forest of trees,
gaily lighted by the sun; and then came a tune from its chime. I paused
before old houses, and stared at the curious ancient gateway, under
which we had passed in the night. After breakfast I visited the Church,
and especially the Beauchamp Chapel, where the ancient lords of Warwick
lie on their proud tombs, in sculptured mail, beside their dainty dames,
in more delicate attire. This chapel is, of its kind, the finest in the
kingdom; the superb tomb of Charles the Bold and Mary of Burgundy, when
I saw it at Bruges, reminded me of it, and seemed less imperial. I
cannot now recall it in detail, as I wish I could, for the sake of
accurate criticism; but at the time I was greatly struck with the state
and splendour of such _beauty—for ashes_! Fulke Greville’s monument is
also memorable, if only for the striking tribute it pays to private
friendship; for the inscription furnished by himself ekes out the fact
of his being “Councillor to King James,” by that of his claim to write
himself—“The friend of Sir Philip Sydney.”
I went over Warwick Castle, of course, and surveyed the grounds from the
porter’s lodge, where are shown the armour and the porridge-pot of great
Guy, and fair Phælice’s slippers, to the garden-house, wherein is kept
the gigantic vase from Tivoli. What eyes for natural beauty had those
builders of old times! The Avon seems just here to be made for Warwick
Castle, and Warwick Castle seems made for it. On the whole, I have seen
no residence in Europe, save Windsor Castle, that seemed to me more
princely than this. ’Tis not the creation of vulgar opulence, or of an
Aladdin-like fortune—but it seems the growth of ages, and the natural
concentration of architectural beauty and strength. From its windows
such a view of the landscape—in the landscape such views of it! And
then its relics and antiquities; its pictures and its portraits; its
bed-rooms, and halls, and drawing-rooms; its boudoirs, and its bowers;
its chapel, and its whole together—who can but wonder at them, and who
would want them? Mine is not so vast an ambition—such “an unbounded
stomach.” On the whole I am so reasonable a man, that to gratify my
utmost longings for a home—this side “the house not made with hands”—I
would take Guy’s Cliff, and leave Warwick Castle untroubled by any writ
of ejectment from even a roving wish, or wild, ungoverned thought.
CHAPTER XXII.
_Stratford—Shakspeare._
Public-domain text, read in full here on John Shaqi.
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