Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
The site of the New Place is occupied by a solid mansion, which, devoid
of interest in itself, commands a moment’s attention, as occupying the
spot on which Shakspeare’s prosperous days were passed, and which was
emphatically his home. All that remains of him, in this place, and its
immediate neighbourhood, is nevertheless soon seen and dismissed, as
nothing but the enthusiasm of an idolator would detect anything
specially attractive in a statue set up by Garrick at the Town Hall, and
a few other memorials, too minute, or too modern, to deserve much delay
in their inspection. I reserved my raptures for the walk to Shottery.
Striking into the fields, I pleased myself with the conviction that air
and earth are still very much the same in them, as when the boy
Shakspeare played truant, and sported among their sweets. The birds and
the flowers are still as gay as when he preferred to learn their
lessons, rather than the schoolmaster’s; and when I turned into a shady
lane, all green and white with hawthorn, or plucked the peas’ blossom in
the upland, or the buttercup and daisy in the meadow, I felt sure that
his foot had fallen where they grew, and that they had given him
pleasure, and taught him morals, which the world has willingly taken at
second-hand, and will never “willingly let die.” Yes, the very labouring
oxen, and the pasturing cows, seemed to me of a superior breed.
Short-horn, or Devonshire, or whatever they may be to the farmer, they
were, in my esteem, not less than Shaksperean beef fed on the grass of
Stratford, and feeding my imagination with images of the animated nature
of the same scenery, as it was three hundred years ago. I came to
several pretty farm cottages, with shrubbery in their little door-yards,
and at one of these I knocked, thinking it must be Anne Hathaway’s; but
the damsel who opened the door seemed not much flattered by the inquiry,
for Anne, though she was Shakspeare’s wife, was not an honest woman, by
the parish register, and has little honour in her own village. However,
the damsel pointed out my way, with milk-maid courtesy, and away I went
with traveller-like apologies. Here, then, at last, was the scene of
Will’s discreditable courtship; and here, if they deceived me not,
descendants of the Hathaways live still. The house is in two parts, like
nave and chancel in ecclesiastical architecture; timbered and plastered,
like the birth-place aforesaid, and thatched in the picturesque style so
dear to Crayon artists and sketchers; its little windows peeping out of
the straw, like sharp eyes under the shaggy brows of an old pensioner,
sunning himself in front of an ale-house. I am glad to say that roses,
and other flowers, were duly set about the cottage, as one which I
plucked, and brought away, bears witness. They showed me some old
Hathaway furniture, and among others an enormous bedstead of Elizabethan
date, on which, they would have me believe, that many of the poet’s
dreams had visited him.
Public-domain text, read in full here on John Shaqi.
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