Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
There was also an ancient oaken chair: and
finally, some bed and table linen was taken out of an old chest. It was
evidently homespun, and they believed it to be Anne’s work, as well as
property. With this view of the matter, however, the initials E. H. did
not entirely agree, and although I was inclined to yield this objection
at the moment, when credulity was allowable, I do not now flatter myself
that I have seen the bedstead or the bed-clothes of Shakspeare. It is
something better that I have seen the Church in which he was christened,
and where he now lies, under the chancel; and where he was taught to
pray; and where he often knelt, one would fain believe, in true
contrition; and where he learned, from some lowly parson, unknown to
fame, many of those sublime and gospel verities, which have given, even
to his poorer themes, their savor of immortality.
The avenue of limes which leads to the church-porch, is rather stiff
than otherwise. The “way to Parish Church” was probably unpaved, and
perhaps unshaded, when Will tottered over it, to be catechised; or when,
in maturer years, he sought the House of God with reverence, among the
multitude that kept holy day. The Church itself is of Anglo-Norman date,
and was originally such in its architecture, but has frequently been
altered and repaired, at various periods. It is cruciform, and would be
not unworthy of a visit for its own sake. The churchyard is full of
graves, and the Avon flows under its walls. I sat there, for nearly an
hour, quite alone, trying to grasp the full idea of the spot. A lubberly
scow came paddling along on the turbid river; and the rooks started up,
and then lighted upon the old gray tower; and some sheep came nibbling
among the graves; and finally, two or three children ran about me, and
kept me company, for awhile; but oh! how unconscious seemed all these of
the great reality of the place, and how still and solemnly the poet
slumbered on, in his sepulchre, unconscious of this prosy nineteenth
century, which thus wags on without him. I took out my tablets in a sort
of reverie; wrote down the date, and scribbled on at random, as follows:
‘Here, in the churchyard of Stratford, I am sitting on the stone-wall,
which defends it from the Avon, and at the foot of which, its fringe of
flags grows rank, amid the slime. The sun, through the half-misty
atmosphere, is falling tenderly on the limes; birds are singing; a rook
cawing; nobody is near, but the breeze whispers, socially, through the
elms overhead. How still the old spire points up to heaven! How dearly
the grass clings to the tower and belfry, growing there in every “coigne
of vantage!” And this quiet old chancel, too! Within these walls was
Shakspeare made a member of Christ, and here he waits the Judgment. Oh,
Will! how much for thee imports the Scripture, “_by thy words_ thou
shalt be justified, and by thy words thou shalt be condemned!”’
Public-domain text, read in full here on John Shaqi.
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