Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
memory of God’s saints; and, as I washed in the crystal waters, I
allowed myself to believe that the spot had indeed been famous for some
holy martyrdom, which perverse ingenuity has distorted into the fable
aforesaid—of which I have only given the least ridiculous part. A fine
and fragrant moss, which grows about the well, and some red spots in the
stone, have furnished additional material to the fabulists, which
tradition has not failed to preserve; but the light and graceful temple
which rises over it, with a figure of the saint, and which is ascribed
to Margaret, the mother of Henry the Seventh, is its most substantial
monument. It is now a chapel of the adjoining parish church, and I found
it filled with plain benches, and used for a Sunday-school room, and for
service in the English tongue.
But I was _en route_ for the vale of Clwyd, (pronounced _Clooyd_,) and
so landing at Rhyl, I took a Welsh jaunting-car to St. Asaph. At the
very entrance of the vale stands an old historic castle, in utter ruins,
but overhung with ivy, and nobly bastioned, and presenting a very
venerable appearance. It was built before the Norman invasion, and
stands near the scene of that ancient battle, still commemorated in the
national air—_Morva Rhuddlan_—which is full of traditional melancholy
and plaintive sweetness. Near Rhuddlan Castle a bridge spans the Clwyd,
adding a very picturesque feature to the scene; and just as you descend
to the bridge, you observe, on the projecting wall of a mean cottage,
the following inscription: “_This fragment is the remains of the
building in which King Edward the First held his Parliament, A. D.
1283_.” Oh! what a romantic land is Wales. England is fine prose; but
Wales is all poetry. Even here I fell in love with it; for Rhuddlan is a
truly historic pile. Almost its meanest memory is that of the progress
of the second Richard, who tarried here on his way to Flint, to be
deposed by Bolingbroke. Its latest memory, however, is that of the
national Bardic Festival, called an _Eisteddfod_, which was celebrated
here in 1850, with sad if not fatal results. A staging gave way, during
the performance, and several of the fair and noble received severe
contusions.
Public-domain text, read in full here on John Shaqi.
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