Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
The cathedral is the very plainest of its kind, but the choir is not
without effective dignity and beauty. I attended the morning service,
which was that of Pentecost, with exceeding pleasure; and yet I observed
with pain, that except the children of the Sunday-school, there were few
present, who were not, unmistakeably, of the higher classes, or at least
of those which are considered very respectable. Where were the poor? The
liveried servants of the neighbouring gentry, in their powder and plush,
were perhaps of the humblest class represented; but, of course, they are
not the people. I was pleased, however, to see several of them kneeling
with their masters’ families at the Holy Communion.
After service, I was lingering among the tombs, in the churchyard, and
had particularly observed that of the excellent Bishop Barrow, when one
of the clergy approached me, and said, “You are a clergyman, I’m sure; I
beg you’ll come home with me to dinner!” Never was I so much surprised,
in my life, by such a salutation. Welsh hospitality was proving more
than a Highland welcome! I expressed my scruples to accept an invitation
which was probably based on the idea that I was an Englishman, and a
clergyman of the National Church; but only so much the more did my new
acquaintance press me to dine with him, offering to take me, after
dinner, to a little Welsh parish, in the mountains, where he promised
that I should hear the service in Welsh, and also a Welsh sermon, from
himself. So very attractive a bill it was impossible to resist, and
presenting my card, I promised to be at the appointed place, at the
proper hour. But I little knew how great a pleasure was in store for me.
I easily found my way to the house, which stood back from the road; a
modest mansion, encircled with trees and shrubs. My friend himself
opened the door, uttering a Welsh salutation, which he interpreted to me
by a warm grasp of the hand, while he pointed me to a Welsh inscription
on the wall—that text of the beloved disciple, which enjoins him who
loves God to love his brother also. I was yet in the first flush of
grateful excitement, when I was ushered into a small drawing-room, where
a lady advanced and gave me a cordial greeting. The clergyman introduced
me to his wife, and to another lady who was with her, and pointing to a
portrait on the wall, which I immediately recognized, said, “you will
perhaps be glad to know that you are in a poet’s house, that this is the
poet’s likeness, and that my wife is the poet’s sister.” I started and
said—“Can it be that this is Rhyllon?” I saw, in an instant, that I was
so happy as to have found my way, in this manner, to the residence of
the late Mrs. Hemans, and to an acquaintance with that sister, of twin
genius, whose music is as widely known as some of the most popular of
Mrs. Hemans’ delightful lyrics.
Public-domain text, read in full here on John Shaqi.
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