Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
which Leland noteth, not forgetting the return by Sandy Lane, through
“Dirty End,” which, since the days of his chronicle, is euphuized into
Deritend. This place is full of what the Brummagem Cardinal would call
_slums_, and one of them, as if on purpose to affront a portion of my
countrymen, displayed to my astonishment, on a street sign, the name of
“New-England.” Did any returned pilgrim settle down here, and give the
last retreat of his poverty this name?
“Born in New-England, did in London die,”
is a well-known epitaph, which may possibly explain this circumstance;
for, said Dr. Johnson, “who that was born in New-England, would care to
die there,” or words to that effect. Yet I confess, for life or death, I
have scarcely seen any place in our own New-England which would not be
preferable to this, although Leland calls Dirty End “a pretty street
with a mansion of tymber hard on the bank of a brook, with a proper
chapel close by.” Here I stopped before the aged front of the “Old Crown
Inn,” which I take to be the same “tymber” mansion, having all the odd
corners, and juttings-forth, and quaint appurtenances of centuries long
gone by. These out-of-the-way ramblings and searches were far more to my
taste than the gaudy sights of the shops and manufactories.
I went out to Oscott, and took a survey of the enemy’s headquarters, to
begin with. Here Tridentinism shows her best front, and yet it falls far
below what I had been led to expect. The college is built of brick, but
is prettily situated, and commands a fine view from the leads, to which
I ascended, for a prospect of the surrounding country. There is little
architectural merit in any part of the structure, and the general
appearance of things, throughout, is below that of collegiate
institutions in England, or on the Continent. I was pleased, however,
with the rooms set apart for ecclesiastical visitors, so far as their
furniture was suitable to offices of private devotion, and not merely to
those of rest and recreation; and I was not sorry to see in the Library
a pretty large selection of standard English divines, though I am
painfully suspicious that they are not there to be freely used by all
who would read and study them. The chapel is gaudy, yet in true Mediæval
character, and somewhat impressive. The other rooms are
labelled—_pransorium_, _deversorium_, and the like, or surmounted with
the names of the divers arts, as _Rhetorica_, _Dialectica_, and so on.
In the common-room are showy portraits of the chiefs of the Romish
recusancy in England, some of whom look like saints, and some like
Satan. There was a portrait of Pugin, to which I directed the attention
of the official who served as guide. He sneered significantly, and said
Pugin was a queer fellow, which meant that they had found him not so
blind as they wished him to be, to his fatal mistake in joining them. He
studied Mediæval Anglicanism, with the illusion that it was all one with
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account