Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
While I was in Birmingham, Mr. Newman yet occupied his temporary
Oratory, in the neighborhood of Camp-Hill. It was an old distillery,
and, of course, was but an ill-looking place for worship. Wishing to see
him and his sect, I went one day to the spot, and pushing aside a heavy
veil at the door, such as is common in Italian churches, found myself in
a low and dirty-looking place of worship, in which the first object that
met my eye was an immense doll of almost ludicrous aspect, near the
door, representing the Virgin, with the crescent beneath her feet.
Bishop Ullathorne proves Mohammed to have been the first believer in the
Immaculate Conception, so that we cannot but admit the propriety of the
symbol. Before this image several youth, with broad tonsures, and in
long cassocks, were kneeling, in a manner truly histrionic. One of them
rose and asked if I would like to be shown the library, and so conducted
me up a dark and narrow stair-case into a large apartment, in which were
no books, but which appeared to be hung with baize, like the rooms of an
artist. He informed me that the books were _in petto_, and would, by and
by, be manifested; apologizing for the present deficiency.
A person, in like costume with my conductor, and with a shaven crown
even more grotesque, was pacing to and fro in the room, apparently
devoting himself to a book which he held in hand. At a question of mine,
addressed to my guide, as to where Mr. Newman might be, this personage
turned sharply round and answered, “he has been all day in the
Confessional, where he would be glad to see _you_.” “Who is that
person?” I demanded, looking towards the strange apparition, as he
continued pacing up and down, and addressing my guide. “Father Ambrose,”
was the reply. “Yes, but what is his name beyond the walls of the
Oratory?” The young man, rather reluctantly, lisped out, “Mr. S——.”
“Mr. S——,” I rejoined, “late of —— College, Oxford! Can it be
possible?” I looked at him, utterly unable to conceal my surprise, and
pitied him in my heart. The youths whom I had seen were doubtless all,
like him, young men of promise and of parts only a few years since, in
Oxford; and now to see them thus ignobly captive, and performing such
unreal and corrupting dramatics, in an age of wants and works, and of
awful realities, like this! But where was the _ignis fatuus_ of the bog
into which they had fallen? Inquiring for their Master, I was informed
he was to preach in their chapel on a certain evening, and accordingly I
attended at the appointed time. It was during the Octave of Easter, and
on entering, I observed that the altar was a bank of flowers, looking
more like the shelves of a conservatory, than the table of the Lord.
Above this horticultural display towered a thing of wax and glass and
spangles, (or what seemed to be such,) as the apparent divinity of the
shrine. It was a shameful burlesque of the Virgin, and utterly
incompetent to excite one religious or reverent thought in any mind not
Public-domain text, read in full here on John Shaqi.
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