Impressions of England; or, Sketches of English Scenery and Society — John Shaqi
Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
In early life I had always promised myself a first view of London,
either approaching the Tower by water, and taking in the survey of
steeples, bridges, and docks, or else descending from Hampstead, on the
top of a rapid coach, and beholding the great dome of St. Paul’s,
arising amid a world of subordinate roofs, and looming up through their
common canopy of cloud-like smoke. Alas! for all such visions, we have
reached the age of the rail: and, consequently, I found myself, one
afternoon, set down in a busy, bustling station-house, with a confused
sensation of having been dragged through a long ditch, and a succession
of dark tunnels, and with a scarcely less confused conception of the
fact, that I was in London. A few policemen loitering about, and a line
of cabs and ’busses of truly English look, confirmed the conviction,
however, that I was really in the Metropolis, and I soon found myself
looking up my luggage, in the business way of one accustomed to the
place, and without a single rapture or emotion of the marvellous. Some
things were very different from an American station-house; as, for
example, the dignity of an ecclesiastical gentleman emerging from the
first-class carriages in cocked-hat, and solemn cravat and surtout, his
short-clothes eked into pantaloons by ponderous leggings, buttoned about
his black stockings, and his whole deportment evincing a reverend care
of his health and personal convenience—the inevitable umbrella
especially, neatly enveloped in varnished leather, and tucked under the
consequential arm; or again, the careful avoidance of the crowd evinced
by a dignified lady, accompanied by her maid, and watching with an
eye-glass the anxious manipulations of a footman, in showy livery,
piling up a stack of trunks, hat-boxes, and what not, all inscribed,
“Lady Dashey, Eaton Place, Belgrave Square.” Getting into a cab, with my
very democratic luggage safely rescued from the vans, and forcing an
exit through vehicles of all ranks, from the dog-cart up to the
lumbering coach, with footman behind, and my lord inside, I emerge at
length into London streets from the Euston Square Station, and begin to
make my way towards the focus of the world. How mechanically I jog
along, just as if I had lived here all my life, and without the least
conformity to the fact that my pulse is quickening, and mine eye
straining to realize a long ideal, which in a few minutes will be
substantial fact! Every street-sign arrests my eye, “Paddington New
Road,” “Gower Place,” “Torrington Square,” “Keppell Street,” “Bedford
Square,” “Great Russell Street,” “Bloomsbury,” “Bond Street,” “Seven
Dials,” “St. Martin’s Lane,” and now I begin to know where I am. There
is St. Martin’s—there the lion with a long tail on Northumberland
House—here is Trafalgar Square—I see Charles First on horseback, at
Charing Cross—and here old George Third, with his queue, at the head of
Cockspur Street—and here the Haymarket and Pall Mall, and here I am set
Public-domain text, read in full here on John Shaqi.
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