Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
After we had carefully inspected this interesting hall, Lord John was as
good as his word, and took us to see the robes, but precisely where he
took us, it would be hard for me to say. It was in some room contiguous,
where a fidgety little woman with keys in her hands, attended as
mistress of the robes, and opening the repository of the sacred
vestments, displayed them with such profound obsequiousness to the
mildly dignified ecclesiastic who conducted us, that if she called him
“my lord” once, she did so some twenty times in a single minute. The
readers of Mrs. Strickland’s “Queens of England” will not require me to
enlarge upon these superb vestments, now dimmed and faded in their
splendour by the lapse of nearly two centuries, since they were made for
the coronation of the luckless, and almost brainless, James the Second.
They are worn at coronations only, by the clergy of the Abbey, and we
had the pleasure of seeing our reverend guide in his appropriate cope as
Sub-dean; the same which he wore when Victoria was crowned, and which
has been worn by his predecessors, successively, at the coronations of
William and Mary, Queen Anne, the four Georges, and William the Fourth.
Similar vestments in form, though not in splendour, are to this day the
rubrical attire of the clergy of the English Church in celebrating the
Holy Communion, but I believe they are now never used, although they
were in use at least in Durham Cathedral, so late as the middle of the
last century. Having seen these interesting and historical vestments, we
thanked the amiable dignitary, to whom we had been indebted for so much
polite attention, and took our leave, emerging into Dean’s Yard, and so
finding our way to the New Houses of Parliament.
CHAPTER V.
_Sight-seeing—Westminster Hall._
Public-domain text, read in full here on John Shaqi.
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