Authors -- Fiction; Character sketches; England -- Fiction
arguing that "Jack and Jill" were real personages in our parish, and
that if I could identify "Jack" I should find on him the marks of a
broken crown.
Sometimes when I am in a crowded London drawing-room (for I am a
town-bird now, acquainted with smoky eaves, and tasting Nature in the
parks) quick flights of memory take me back among my father's
parishioners while I am still conscious of elbowing men who wear the
same evening uniform as myself; and I presently begin to wonder what
varieties of history lie hidden under this monotony of aspect. Some of
them, perhaps, belong to families with many quarterings; but how many
"quarterings" of diverse contact with their fellow-countrymen enter into
their qualifications to be parliamentary leaders, professors of social
science, or journalistic guides of the popular mind? Not that I feel
myself a person made competent by experience; on the contrary, I argue
that since an observation of different ranks has still left me
practically a poor creature, what must be the condition of those who
object even to read about the life of other British classes than their
own? But of my elbowing neighbours with their crush hats, I usually
imagine that the most distinguished among them have probably had a far
more instructive journey into manhood than mine. Here, perhaps, is a
thought-worn physiognomy, seeming at the present moment to be classed as
a mere species of white cravat and swallow-tail, which may once, like
Faraday's, have shown itself in curiously dubious embryonic form leaning
against a cottage lintel in small corduroys, and hungrily eating a bit
of brown bread and bacon; _there_ is a pair of eyes, now too much
wearied by the gas-light of public assemblies, that once perhaps learned
to read their native England through the same alphabet as mine--not
within the boundaries of an ancestral park, never even being driven
through the county town five miles off, but--among the midland villages
and markets, along by the tree-studded hedgerows, and where the heavy
barges seem in the distance to float mysteriously among the rushes and
the feathered grass. Our vision, both real and ideal, has since then
been filled with far other scenes: among eternal snows and stupendous
sun-scorched monuments of departed empires; within the scent of the long
orange-groves; and where the temple of Neptune looks out over the
siren-haunted sea. But my eyes at least have kept their early
affectionate joy in our native landscape, which is one deep root of our
national life and language.
Public-domain text, read in full here on John Shaqi.
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