Authors -- Fiction; Character sketches; England -- Fiction
Our rural tracts--where no Babel-chimney scales the heavens--are without
mighty objects to fill the soul with the sense of an outer world
unconquerably aloof from our efforts. The wastes are playgrounds (and
let us try to keep them such for the children's children who will
inherit no other sort of demesne); the grasses and reeds nod to each
other over the river, but we have cut a canal close by; the very heights
laugh with corn in August or lift the plough-team against the sky in
September. Then comes a crowd of burly navvies with pickaxes and
barrows, and while hardly a wrinkle is made in the fading mother's face
or a new curve of health in the blooming girl's, the hills are cut
through or the breaches between them spanned, we choose our level and
the white steam-pennon flies along it.
But because our land shows this readiness to be changed, all signs of
permanence upon it raise a tender attachment instead of awe: some of us,
at least, love the scanty relics of our forests, and are thankful if a
bush is left of the old hedgerow. A crumbling bit of wall where the
delicate ivy-leaved toad-flax hangs its light branches, or a bit of grey
thatch with patches of dark moss on its shoulder and a troop of
grass-stems on its ridge, is a thing to visit. And then the tiled roof
of cottage and homestead, of the long cow-shed where generations of the
milky mothers have stood patiently, of the broad-shouldered barns where
the old-fashioned flail once made resonant music, while the watch-dog
barked at the timidly venturesome fowls making pecking raids on the
outflying grain--the roofs that have looked out from among the elms and
walnut-trees, or beside the yearly group of hay and corn stacks, or
below the square stone steeple, gathering their grey or ochre-tinted
lichens and their olive-green mosses under all ministries,--let us
praise the sober harmonies they give to our landscape, helping to unite
us pleasantly with the elder generations who tilled the soil for us
before we were born, and paid heavier and heavier taxes, with much
grumbling, but without that deepest root of corruption--the
self-indulgent despair which cuts down and consumes and never plants.
But I check myself. Perhaps this England of my affections is half
visionary--a dream in which things are connected according to my
well-fed, lazy mood, and not at all by the multitudinous links of
graver, sadder fact, such as belong everywhere to the story of human
labour. Well, well, the illusions that began for us when we were less
acquainted with evil have not lost their value when we discern them to
be illusions. They feed the ideal Better, and in loving them still, we
strengthen the precious habit of loving something not visibly, tangibly
existent, but a spiritual product of our visible tangible selves.
Public-domain text, read in full here on John Shaqi.
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