Authors -- Fiction; Character sketches; England -- Fiction
Julia Merman was really a "nice little woman," not one of the stately
Dians sometimes spoken of in those terms. Her black _silhouette_ had a
very infantine aspect, but she had discernment and wisdom enough to act
on the strong hint of that memorable conversation, never again giving
her husband the slightest ground for suspecting that she thought
treasonably of his ideas in relation to the Magicodumbras and
Zuzumotzis, or in the least relaxed her faith in his infallibility
because Europe was not also convinced of it. It was well for her that
she did not increase her troubles in this way; but to do her justice,
what she was chiefly anxious about was to avoid increasing her husband's
troubles.
Not that these were great in the beginning. In the first development and
writing out of his scheme, Merman had a more intense kind of
intellectual pleasure than he had ever known before. His face became
more radiant, his general view of human prospects more cheerful.
Foreseeing that truth as presented by himself would win the recognition
of his contemporaries, he excused with much liberality their rather
rough treatment of other theorists whose basis was less perfect. His own
periodical criticisms had never before been so amiable: he was sorry for
that unlucky majority whom the spirit of the age, or some other
prompting more definite and local, compelled to write without any
particular ideas. The possession of an original theory which has not yet
been assailed must certainly sweeten the temper of a man who is not
beforehand ill-natured. And Merman was the reverse of ill-natured.
Public-domain text, read in full here on John Shaqi.
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