Impressions of Ukiyo-ye, the school of the Japanese colour-print artists — John Shaqi
Impressions of Ukiyo-ye, the school of the Japanese colour-print artistsAmsden, Dora
History
Impressions of Ukiyo-ye, the school of the Japanese colour-print artists
Amsden, Dora
Color prints, Japanese; Ukiyoe -- Japan; Wood-engraving -- Japan -- History
“The fifteenth year of Genroku, the twelfth month, and fifteenth day.
We have come this day to do homage here, forty-seven men in all, from
Oishi Kuranosuki, down to the foot soldier, Terasaka Kichiyemon, all
cheerfully about to lay down our lives on your behalf. We reverently
announce this to the honoured spirit of our dead master. On the
fourteenth day of the third month of last year our honoured master was
pleased to attack Kira-Kotsuki-no-Suke, for what reason we know not.
Our honoured master put an end to his own life, but Kotsuki-no-Suke
lived. Although we fear that after the decree issued by the Government,
this plot of ours will be displeasing to our master, still we who have
eaten of your food could not without blushing repeat the verse, ‘Thou
shalt not live under the same heaven nor tread the same earth with the
enemy of thy father or lord,’ nor could we have dared to leave hell and
present ourselves before you in paradise, unless we had carried out the
vengeance which you began. Every day that we waited seemed as three
autumns to us. Verily we have trodden the snow for one day, nay for two
days, and have tasted food but once. The old and decrepit, the sick and
ailing, have come forth gladly to lay down their lives. Having taken
counsel together last night, we have escorted my lord, Kotsuki-no-Suke,
hither to your tomb. This dirk by which our honoured lord set great
store last year, and entrusted to our care, we now bring back. If your
noble spirit be now present before this tomb, we pray you as a sign to
take the dirk, and striking the head of your enemy with it a second
time to dispel your hatred forever. This is the respectful statement of
forty-seven men.”
There were forty-seven Ronin. Why, then, do forty-eight tomb-stones
stand beneath the cedars at Sengakuji? Truly the answer has caused
tears to fall from the eyes of many a visiting pilgrim, for the
forty-eighth tomb holds the body of the Satsuma man, who in an agony of
grief and remorse ended his life, and was buried beside the hero, whose
body he had scornfully trampled upon in the streets of sacred Kyoto.
This history of the Forty-seven Ronin is an epitome of Japanese ethics,
for in it is exemplified their feudal devotion, their severe code
of honour, their distorted vision of duty and fealty to a superior,
justifying the most lawless acts. Thus the conduct of Kuranosuki during
his wild year of reckless abandonment, in which he threw off all moral
restraint in order to deceive his enemy, breaking the heart of his
faithful and devoted wife, was considered by his countrymen meritorious
and a proof of his devotion. The Ukiyo-ye artists, who loved to take
for models the beautiful denizens of the “Under World,” chose this
obsession of Kuranosuki as the subject for many of their illustrations,
so that at a first glance the series might almost be mistaken for
scenes from the life of the Yoshiwara.
Public-domain text, read in full here on John Shaqi.
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