In a Canadian Canoe; The Nine Muses Minus One, and Other Stories — John Shaqi
In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
In the meanwhile, my dear old sympathetic canoe has been going slowly
backwards on its own account, and must be stopped.
* * * * *
It was only the other night that I took my canoe out in the moonlight,
when the river is solitary and quiet. I shall not take it by night any
more, because it is too sympathetic. A man came and leaned over one of
the bridges and watched the reflection of the spangled skies in the
ripple. He sighed, and said, “Pree lil starsh!” Then he swore hard at
them. Then he sighed again, and his cap tumbled off into the water.
“Ish all over now,” he said solemnly, and walked wearily away. My boat
simply shuddered. I could feel it shudder.
After that it got absurdly sentimental. Now I hate and I despise
sentiment. I suppose it was the effect of the moonlight. It made some
verses. At least I suppose the boat made them. I found them in my
blazer pocket afterwards, and I’m sure I recognised the handwriting. So
I will give them in full. (You will do nothing of the kind.--ED.)
I’m not going to discuss the merit of those verses. There may be
something in them which the world will one day learn to cherish, or
there may not be; but I deprecate the weakness and sentimentality
which cause verse. We want to be strong, really strong. We want more
of the spirit of that Gallic chieftain who wanted a tin heart made
for himself. The story is well enough known, and you will find it in
Livy: it is in one of the lost books; but I give it for the benefit
of readers who are not classical. I do not scorn such readers. I can
remember the time when I had not the finished scholarship, the critical
insight, the almost insolent familiarity with the more recondite parts
of history, which--with all modesty be it spoken--I know that I now
possess.
I have forgotten some of the names, all the dates, and a few of the
facts. But these are not the essentials. Such things are but the dry
bones of history. We want the flesh and blood and sinews--the words,
the large, beautiful, vague words that smudge over a difficulty until
you can’t see it.
To understand why the Gallic Chieftain wanted a tin heart, we must
first of all appreciate the man’s character.
Public-domain text, read in full here on John Shaqi.
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