In a Canadian Canoe; The Nine Muses Minus One, and Other Stories — John Shaqi
In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
And then for the first time in her life the passion for song came into
her. She felt that she _must_ sing. Always before she had shuddered at
the thought of song, for the song of Ligeia and others had ever brought
death with it. But now she felt that she _must_ sing, and she knew not
why; for a study of hereditary tendencies was not included in the Board
School education of that period. She had reached an open space now. The
ground was sandy, with here and there a stunted clump of grass, and in
one place a beautiful golden poppy.
“No one will hear me,” she thought, “and if I do not sing my heart will
break.” So she sang, standing there white and naked, with the sunlight
upon her, holding a lyre in her little hands.
And the music came out of her soul, but she knew not whence the words
came.
She sang that it was not sweet for the golden poppy to bloom there
alone, though the sun made it warm, and the wind was fragrant about it.
It was sweeter that she should pluck it in her little hands, which were
warm with a better life than the life of the sun, and more fragrant
than the west wind with its burden of the breath of the flowers. She
paused, and her fingers rested lightly on the lyre. Her eyes were
strained in looking up to the east, and she did not see that the poppy
had bowed its golden head and withered away.
“And it is not sweet,” she sang again, “for you, white bird, to fly on
and on, and never to rest. It is better to lie here, and let me touch
you, and fondle you, and love you.”
And out from the eastern sky flew the white bird, and it nestled for
one moment at the child’s breast, and then fell dead on the sand.
And the child saw what she had done, and she flung herself down beside
the dead bird and the withered flower, and sobbed in the foolishest way.
So the afternoon wore on, and the sea still murmured, and she still lay
there. And when it was evening a new wind sprang up from the south, and
it whispered to her,--
“A girl’s voice for a bird’s life.”
She stood up, erect, with eyes that flashed brightly, though the tears
still stood in them. She held the white bird in her little hands. “I’ll
give you my voice,” she said, as she kissed it. And the bird flew far
away from her, and the girl was dumb.
For a little while she stood there, and the old passion of song came
back to her, and tore at her heart; but she could not sing, for she was
dumb.
“And I have nothing else left,” she thought, “with which I may give
back the life to the golden poppy.”
“Crimson for golden,” the south wind called softly in her ear.
So she lay down once more, and put her pretty mouth to the dead
bloom of the poppy, and she could not speak, but she thought the
words--“Drink my blood! Drink my life, and live!”
And the dead flower drained out her life, and she grew white and
whiter, and when the moonlight fell upon her, not a tint of colour was
in her cheeks.
Public-domain text, read in full here on John Shaqi.
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