In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
In the front of the cloud hung a rosy curtain of some delicate tissue,
and behind this curtain was the rose-lit room in which the Muses were
grouped. Clio was standing erect. She wore a long and ample robe; her
figure was stately; her look was the look of a handsome, learned woman,
who is on the brink of her thirtieth year. In one hand was an open roll
of paper, on which gilt letters were blazoned. She was looking down
upon the towers, and steeples, and house-tops of Cambridge, and on
the slow river winding like a reluctant silver corkscrew through the
beautiful meadows of Grantchester.
Behind her, seven of her sisters, picturesquely grouped, reclined on a
low divan at the farther end of the room. They all were beautiful in
different ways. Their robes, snow-white and pearly-grey, golden and
crimson and deep-sea blue, made a poem of colour.
And on the mosaic floor, kneeling on one knee, bending over a little
tripod that supported a brazier, was one who wore no robe, but the long
night of her beautiful hair. Mockery was on her lips, but dreams were
in her eyes. She seemed a young girl of seventeen. She was Erato, who
sings to us of love. The picture of her in the classical dictionaries
is absurdly wrong. Beside her on the floor lay her lyre and a curious
golden casket. From the brazier a thin, wandering line of fragrant
smoke came up, and hovered in the room.
There was a moment’s silence. Then Clio turned round to her sisters.
“We will stay here,” she said, “for a little while. This is Granta; and
here are gathered young men who are truly gymnasts and yet follow the
Muses. For they do all of them seek after culture, and love naught but
the reading of many learned books, and the hearing of the wisdom of
their teachers; and they all strive to lead the higher life.”
Terpsichore gave a curious little cough. I have no certain idea what
it meant; but it seemed to imply in some way that she had been there
before. The grave and stately Clio never noticed it.
“Yes, we will stay, and tell to one another improving stories,” she
went on. “Cupid! Cupid!” she called.
A curtain at the side of the room was flung aside, and in came a little
winged boy, with laughing eyes, naked but for the quiver that hung from
the shoulders. He does a good deal for the Muses, but not in a menial
way. They all smiled when he came in. He stood by the side of Erato,
who evidently petted him a good deal, drawing one strand of her dark
hair through his little rosy fingers--but he was looking at Clio.
“Cupid,” said the grave Muse, “we would stay here: let the wind blow
our cloud no farther.” He nodded his head, turned to go, and then
lingered, still playing with Erato’s hair.
“Erato,” he whispered in her ear, “my bow-string is frayed. Let me make
a bow-string of your hair.”
“No--perhaps--not now. You wicked little boy!” she said, looking up in
his face and laughing.
Public-domain text, read in full here on John Shaqi.
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