In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
Of course Bill had seen shows of a kind before. He had seen a ’bus
horse stumble, and almost pick itself up, and stumble again, and
finally go down half on the kerb-stone. That had been attractive, but
there had been nothing to pay for it. Again, in his Sunday-school days,
he had been present at an entertainment where the exhilaration of solid
buns and dissolving views had been gently tempered by a short address.
That too was attractive, but it had been free. And now it would not
be possible to see this beautiful buoyant creature swimming in clear
shrimp-haunted waters unless he paid a penny for it, the only penny
that he possessed. Never before had he paid anything to go anywhere.
The temptation was masterful. It gripped him, and drew him towards the
tattered red curtain that hung over the entrance. In another minute he
had paid his penny, and stood within.
At one end of the shop a low stage had been erected. On the stage was
something which looked like a large packing-case with a piece of red
baize thrown over it. There was a small table, on which were two packs
of playing-cards and a brightly coloured pill-box, and a tired fat
woman in a low dress of peculiar frowziness. As the audience entered
she put a smile on her face, where it remained fixed as if it had
been pinned. The performance commenced with three clumsy card-tricks.
Then she requested some one in the audience to put a halfpenny in the
painted pill-box and see it changed into a shilling. The audience felt
that they had been weak in paying a penny to see the show, and on
this last point they were adamant. They would put no halfpennies in no
pill-boxes. They were now firm. So also was the Spanish conjurer, and
this trick was omitted. She intimated that she would now proceed to
the second part of the entertainment, the exhibition of the mermaid of
the Western Pacific. She removed, dramatically, the red-baize cover,
disclosing a glass case. The audience pressed forward to examine its
contents. The case was filled for the most part with those romantic
rocks and grasses which conventionality has appointed to be a suitable
setting for stuffed canaries, or stuffed dogs, or anything that is
stuffed. There was a background of painted sky and sea; and in the
front there was a small, most horrible figure, looking straight
at Bill out of hideous, green, glassy eyes. It was not the lovely
creature depicted in the window outside. It was a monstrous thing,
a contemptible fraud to the practised intelligence, but to Bill’s
childish, excitable mind a thing of unspeakable horror and fascination.
The lower half was a wilted, withered fish; then came a girdle of
seaweed, and then something which was near to being human, yellow and
waxy, with a ghastly face, a bald head, and those eyes that would keep
looking at Bill. He shut his own eyes for a second; when he opened them
again the monstrous thing was still looking at him.
Public-domain text, read in full here on John Shaqi.
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