It was not an altercation; there was evidently nothing the least
exciting in the colloquy. What would I not have given that it had
been a quarrel--a violent one--and I the redresser of wrongs, and
the defender of insulted beauty! Alas! so far as I could
pronounce upon the character of the tones I heard, they might be
as tranquil a pair as any in existence. In a moment more the lady
began to sing an odd little _chanson_. I need not remind you how
much farther the voice is heard _singing_ than speaking. I could
distinguish the words. The voice was of that exquisitely sweet
kind which is called, I believe, a semi-contralto; it had
something pathetic, and something, I fancied, a little mocking in
its tones. I venture a clumsy, but adequate translation of the
words:--
"Death and Love, together mated,
Watch and wait in ambuscade;
At early morn, or else belated.
They meet and mark the man or maid.
"Burning sigh, or breath that freezes,
Numbs or maddens man or maid;
Death or Love the victim seizes,
Breathing from their ambuscade."
"Enough, Madame!" said the old voice, with sudden severity. "We
do not desire, I believe, to amuse the grooms and hostlers in the
yard with our music."
The lady's voice laughed gaily.
"You desire to quarrel, Madame!" And the old man, I presume, shut
down the window. Down it went, at all events, with a rattle that
might easily have broken the glass.
Of all thin partitions, glass is the most effectual excluder of
sound. I heard no more, not even the subdued hum of the colloquy.
What a charming voice this Countess had! How it melted, swelled,
and trembled! How it moved, and even agitated me! What a pity
that a hoarse old jackdaw should have power to crow down such a
Philomel! "Alas! what a life it is!" I moralized, wisely. "That
beautiful Countess, with the patience of an angel and the beauty
of a Venus and the accomplishments of all the Muses, a slave! She
knows perfectly who occupies the apartments over hers; she heard
me raise my window. One may conjecture pretty well for whom that
music was intended--ay, old gentleman, and for whom you suspected
it to be intended."
In a very agreeable flutter I left my room, and descending the
stairs, passed the Count's door very much at my leisure. There
was just a chance that the beautiful songstress might emerge. I
dropped my stick on the lobby, near their door, and you may be
sure it took me some little time to pick it up! Fortune,
nevertheless, did not favour me. I could not stay on the lobby
all night picking up my stick, so I went down to the hall.
I consulted the clock, and found that there remained but a
quarter of an hour to the moment of supper.
Every one was roughing it now, every inn in confusion; people
might do at such a juncture what they never did before. Was it
just possible that, for once, the Count and Countess would take
their chairs at the table-d'hôte?
CHAPTER IV.
MONSIEUR DROQVILLE.
Public-domain text, read in full here on John Shaqi.
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