In a steamer chair, and other shipboard storiesBarr, Robert
General
In a steamer chair, and other shipboard stories
Barr, Robert
Ocean travel -- Fiction; Sea stories; Short stories
“Seemed? Oh, there we get into uncertainties again. If I like to know
whether persons are Americans or not, it naturally follows that I am
anxious to know whether they were Western or Eastern Americans. Aren’t
you sure she was a Westerner?”
“The story, unfortunately, leaves that a little vague, so if it
displeases you I shall be glad to stop the telling of it.”
“Oh no, don’t do that. I am quite satisfied to take her as an American
citizen; whether she is East or West, or North or South, does not make
the slightest difference to me. Please go on with the story.”
“Well, the other characters, I am happy to be able to say, are not at
all indefinite in the matter of nationality. One is an Englishman; he
is even more than that, he is an English nobleman. The other is an
American. Then there is the English nobleman’s mother, who, of course,
is an English woman; and the American’s sister, married to an
Englishman, and she, of course, is English-American. Does that satisfy
you?”
“Perfectly. Go on.”
“It seems that the besieger, the heroine of the story if you may call
her so, had a past.”
“Has not everybody had a past?”
“Oh no. This past is known to the American and is unknown to the
English nobleman.”
“Ah, I see; and the American is in love with her in spite of her past?”
“Not in Mr. James’s story.”
“Oh, I beg pardon. Well, go on; I shall not interrupt again.”
“It is the English nobleman who is in love with her in spite of his
absence of knowledge about her past. The English nobleman’s mother is
very much against the match. She tries to get the American to tell what
the past of this woman is. The American refuses to do so. In fact, in
Paris he has half promised the besieger not to say anything about her
past. She is besieging London, and she wishes the American to remain
neutral. But the nobleman’s mother at last gets the American to promise
that he will tell her son what he knows of this woman’s past. The
American informs the woman what he has promised the nobleman’s mother
to do, and at this moment the nobleman enters the room. The besieger of
London, feeling that her game is up, leaves them together. The American
says to the nobleman, who stands rather stiffly before him, ‘If you
wish to ask me any questions regarding the lady who has gone out I
shall be happy to tell you.’ Those are not the words of the book, but
they are in substance what he said. The nobleman looked at him for a
moment with that hauteur which, we presume, belongs to noblemen, and
said quietly, ‘I wish to know nothing.’ Now, that strikes me as a very
dramatic point in the story.”
“But _didn’t_ he wish to know anything of the woman whom he was going
to marry?”
“I presume that, naturally, he did.”
“And yet he did not take the opportunity of finding out when he had the
chance?”
“No, he did not.”
“Well, what do you think of that?”
“What do I think of it? I think it’s a very dramatic point in the
story.”
Public-domain text, read in full here on John Shaqi.
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