But the hunger was on her, and I had to give her morsels. That was a
haggard horror. It was the more horrible that her vanities always turned
on the things of which she had the least reason to be vain. As an
affectionate and devoted and dull spinster my heart was often soft to
her; but her coquetries would have made an angel groan. For example: her
hands were not remarkably pretty; her fingers had almost the pinkness,
and a little of the shape, of the smaller claws of a freshly boiled
crab; but she gave them no rest from display. I was sometimes commanded,
with a vapid imperiousness, to make much of them. And once, on a seat on
the Embankment, she yielded to a temptation never far removed from her.
It was at night; unnoticed, a portion of her hair had shaken loose; and,
suddenly becoming aware of this, and doubtless with some idea of
maddening me with the thought of something prohibited, she put up her
hands, shook down the short mass on her shoulders, and grimaced at me.
The next day she begged, with a shamed face, that I would try to forget
this sin in her--for apparently she had intended it as sin; but I had
nothing to forget. All that I remembered was the contrast, as she had
put the hair up again, between the bosom under her uplifted arms and
that other bosom from which Archie Merridew had turned away as Evie had
stood before the mantelpiece mirror in Woburn Place.
Her dwelling, which I first visited with Evie and her aunt, was on the
first floor of the modiste's at the back. Her sleeping apartment I never
saw; and of her sitting-room I have no very clear memory now. There was
a penny-in-the-slot gas-meter on the landing, I remember, and the floor
of the room into which one walked was covered with a greenish jute "art
square," with the wide spaces of bare boarding about it stained with
Condy's Fluid. The previous occupant had left on the walls a "French
boudoir" paper with a pattern of thin vertical lines and tiny garlands
of pink rosebuds (Kitty had cleaned it with dough on taking possession).
The furniture was scanty, with a good deal of muslin about it, and a
sewing-machine stood in the back window, which looked over a restaurant
yard. When she had more than two visitors at once she had to fetch an
extra chair from her bedroom, and from the sound her heels made at these
times I gathered that that room was uncarpeted.
Public-domain text, read in full here on John Shaqi.
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