In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and homeGriffith, George Chetwynd
History
In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and home
Griffith, George Chetwynd
Crime; Criminals; New Caledonia -- Social conditions -- 19th century; Penal colonies -- New Caledonia
“Exactly!” I said. “Here you have the paradise, the Eden of the Pacific.
Politics will supply the serpent.”
He shook his head and smiled, and I went away without telling him that I
had travelled from Chicago with a gentleman who had been to Washington to
see about the introduction of that self-same serpent.
* * * * *
When people who have not been there read about the tropics in books,
especially in story-books, the impression they get is one of general
gorgeousness pervading the heavens and the earth, and a human state of
things not far removed from what some of us honestly hope to deserve some
day when days have ceased to count.
Blue seas lie rippling gently under azure skies; islands of almost
inconceivable beauty, palm-crowned and coral-fringed, gem the surface of
the waveless waters. The heat of the sun is tempered by cool, scented
breezes.
The day begins and ends with sunrises and sunsets which seem like the
opening and shutting of the gates of Paradise.
The nights are languorous dreams of soft delights under skies spangled
with myriads of stars such as northern eyes have never seen. On other
nights earth and sea are bathed in silvery moonlight such as never fell
on northern sea or shore.
Some authors get their moon and stars shining at the same time. These
have probably done their travelling in an armchair. Diana of the Tropics
is a good deal too autocratic for that.
Those are the tropics of the novelist and the traveller who wants to make
his untravelled readers envious. As a story-writer I have myself sinned
thus; wherefore, partly, this confession.
The trouble with most people who have described the tropics in fiction
and otherwise is that they leave too much out. All that they put in is
correct. You really can see all these beauties, and more, between Cancer
and Capricorn; but you don’t see them everywhere or all the time.
Another very serious fault with your tropical word-artist is that he
generally ignores the swamps, the fevers, the agues, the rains which
come down like bursting water-spouts, the hurricanes which blow brick
and stone walls about as if they were paper. Further, as to the rippling
sunlit sea, they too often omit to state that, when it is inclined that
way it can get up into waves which will take a ship clean over a reef and
land it halfway up a hillside, and that it has a swell through which a
ship may wallow for days, rolling scuppers under every minute of the day
and night for weeks on end.
This, by the way, is one of the most villainous features of the tropical
Pacific. For instance, you wake up out of a nightmare-slumber, bruised
and sore and sweating, after hours of sleepy struggle to brace yourself
somehow between the sides of your berth so that you may not be flung
against the opposite side of your cabin. You watch for a favourable
moment—the best one is just when she is going to stop and your side is
down. Miss this, and you’ll wish you’d waited for the next.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account