In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and homeGriffith, George Chetwynd
History
In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and home
Griffith, George Chetwynd
Crime; Criminals; New Caledonia -- Social conditions -- 19th century; Penal colonies -- New Caledonia
In Paul Leicester Ford’s delightful word-picture of American political
life, “The Honourable Peter Sterling,” the worthy Peter delivers a
dinner-table homily on the immorality of five hundred first-class
steamboat passengers conspiring to defraud the revenue of their native
land by means of false declarations such as most of us signed on the _St.
Louis_.
I was surprised to find that Peter, a shrewd politician and successful
ward-boss, knew so little of human nature.
Never from now till the dawn of the millennium abolishes the last Customs
House will men and women be convinced that it is immoral or even wrong to
smuggle. It is simply a game between the travellers and the officials. If
they are caught they pay. If not the man smokes his cigars with an added
gusto, and the woman finds a new delight in wearing a dainty costume
which all the arts of all the Worths and all the Redferns on earth could
never give her—and of such were the voyagers on the _St. Louis_.[1]
Before I got to bed that night I had come to the conclusion that no
country was ever better described in a single phrase than America was by
poor G. W. Steevens when he called it the Land of the Dollar.
From the Atlantic to the Pacific, and from Maine to Mexico, you
simply can’t get away from it. In other countries people talk about
money,—generally and incidentally about pounds, or francs, or marks, or
pesetas,—but in America it is dollars first, last, and all the time.
Where an Englishman would say a man was keen on making money, an American
would say “he’s out for dollars.” On this side we speak of making a
fortune, over there it’s “making a pile,”—of dollars understood,—and so
on.
But there is another sense in which the pungent phrase is true. I am not
going to commit myself to the assertion that everything in the States is
a dollar, because there are many things which cost more than a dollar.
There are also some—a few—which cost less, such as newspapers and tramcar
tickets, but, as a rule, when you put your hand into your pocket a dollar
comes out—often several—and you don’t have much change.
Thus, when I had released my baggage from the lax grip of the United
States Customs, I took a carriage ticket at the desk. Three dollars. In
London the fare from the station to the hotel would have been about half
a crown. The gentleman who put my luggage up received a quarter. If I
had offered him less he would probably have declined it and asked me,
with scathing irony, to come and have a drink at his expense.
Still, that carriage was a carriage, and not a cab; well-hung,
well-cushioned, and well-horsed. In fact, I was not many hours in New
York before I began to see that, although you pay, you get. Everything
from a banquet to a boot-shine is done in better style than it is in
England.
“We are very full, sir,” said the clerk at the Murray Hill Hotel; “but
I can give you a four-dollar room. I daresay you’ll like a comfortable
night after your passage.”
Public-domain text, read in full here on John Shaqi.
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