In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
The English lady happened to be a lady well endowed as to her mind,
her tastes, and her accomplishments. She was exactly the mother for
such a boy. She was not only excessively fond of reading the best
poets, but of reading passages aloud, or reciting them from memory. Her
audience was her boy. His tastes were in sympathy with his mother’s,
and he was never more delighted than when he sat listening to her
reading or reciting, except when he was reciting passages to her. It
was a peculiar training; it really shaped the boy’s life--and it was
no ill shape which the life took. The father had his share, however,
in clearing the path for the bright, though brief, career. One day the
father, whose intellectual tastes responded to his wife’s, repeated to
his son the speech of Cardinal Wolsey, beginning, ‘Farewell, a long
farewell, to all my greatness.’ In doing this, he suited the action
to the word. Young Betty had never seen this before, and he asked the
meaning of it. ‘It is what is called acting,’ said the father. The boy
thought over it, tried by himself action and motion with elocution, and
he spoke and acted the cardinal’s soliloquy before his mother with an
effect that excited in her the greatest surprise and admiration.
Not the faintest idea of the stage had, at this time, entered the
minds of any of the family. The eager young lad himself was satisfied
with reading plays, learning passages from them, and reciting speeches
from ‘Douglas’ and ‘Zara,’ from ‘Pizarro’ and the ‘Stranger.’ He also
repeated the episodical tales from Thomson’s ‘Seasons.’ Only the above
trace of his learning anything from Shakespeare is to be found, but
he listened to readings from the national poet by one or other of his
parents. This course had its natural results. By degrees the boy took
to rude attempts, from domestic materials, of dress. ‘Properties’ were
created out of anything that could be turned to the purpose; a screen
was adopted for scenery; audiences of ones and twos were pressed by the
stage-struck youth to tarry and see him act; and finally his father,
well qualified, taught him fencing, the son proving an apt pupil, and
becoming a swordsman as perfect and graceful as Edmund Kean himself.
His reputation spread beyond home into distant branches of the family.
Those branches shook with disgust. The parents were warned that if
they did not take care the boy would come to the evil end of being
a play-actor! They were alarmed. The domestic stage was suppressed;
silence reigned where the echoes of the dramatic poets once pleasantly
rang, and the heir of Hopton Court and Hopton Wafers was ignominiously
packed off to school. When I say ‘the heir,’ it is because Master Betty
was so called; but it really seems as if his claim resembled that of
the Irish gentleman who was kept out of his property by the rightful
owner.
Public-domain text, read in full here on John Shaqi.
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