But every character is well played, from Mounet Sully, who acts Orosmane, to Dupont Vernon, in Corasmin. The accomplished Berton plays Nerestan; and it is a lesson to actors only to hear Maubant deliver the famous lines beginning with ‘Mon Dieu, j’ai combattu.’ Mdlle. Sarah Bernhardt is the Zaire, and I can fancy her a French Cibber. She dies, however, on the stage too much in the horrible fashion of the ‘Sphinx’; but what attracts French audience is, that the piece abounds in passages which such audiences may hail in ecstasy or denounce in disgust. The passages are political, religious, and cunningly framed free-thinking passages. For these the audience waits, and signalises their coming by an enthusiasm of delight or an excess of displeasure. At Belfast there was only the eleven-years-old Osman to enthral an audience. The rest were respectable players. It is not to be believed that such an audience would have been stirred as they were on that August night had there not been some mind behind the voice of the young _débutant_. He had never been on a stage before, had only once seen a play acted, had received only a few hints from the old prompter, yet he seemed to be the very part he represented. There were many doubters and disbelievers in Belfast, but they, for the most part, went to the theatre and were convinced. The three other parts he played were Douglas, Rolla, and, for his benefit on August 29, Romeo. From that moment he was ‘renowned,’ and his career certain of success. While this boy snatched a triumph, there was another eagerly, painfully, yet hopefully and determinedly, struggling for one. _This_ boy scarcely knew by what name to pass, for his mother was a certain Nance Carey, and his reputed father was one of two brothers, he did not know which, named Kean. This boy claimed in after years to be an illegitimate son of the Duke of Norfolk, and he referred, in a way, to this claim when he called his first child Howard. For Nance Carey the boy had no love. There was but one woman who was kind to him in his childhood, Miss Tidswell, of Drury Lane Theatre, and Edmund Kean used to say, ‘If she was not my mother, why was she kind to me?’ When I pass Orange Court, Leicester Square, I look with curiosity at the hole where he got a month’s schooling.