In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
We do not find any letter of Fox’s extant to tell us his opinion of
the ‘tenth wonder.’ We can go with him to the play, nevertheless.
‘While young Betty was in all his glory,’ says Samuel Rogers, in his
‘Table Talk,’ ‘I went with Fox and Mrs. Fox, after dining with them in
Arlington Street, to see him act Hamlet; and, during the play scene,
Fox, to my infinite surprise, said, “This is finer than Garrick!”’ Fox
would not have said so if he had not thought so. He did not say as
much to Master Betty, but he best proved his sympathy by sitting with
and reading to him passages from the great dramatists, mingled with
excellent counsel.
Windham, the famous statesman, who as much loved to see a pugilistic
fight as Fox did to throw double sixes, and to whom a stroll in
Leicester Fields was as agreeable as an hour with an Italian poet
was to Fox--Windham hurried through the Fields to Covent Garden. His
diary for the year 1804 is lost; but in that for 1805 we come upon
his opinion of the attractive player, after visits in both years. On
January 31, 1805, there is this entry in his diary;--‘Went, according
to arrangement, with Elliot and Grenville to play; Master Betty in
Frederick’ (‘Lovers’ Vows’). ‘Lord Spencer, who had been shooting
at Osterley, came afterwards. Liked Master B. better than before,
but still inclined to my former opinion; his action certainly very
graceful, except now and then that he is a little tottering on his
legs, and his recitation just, but his countenance not expressive; his
voice neither powerful nor pleasing.’
The criticisms of actors were generally less favourable. Kemble was
‘riveted,’ we are told, by the acting of Master Betty; but he was
contemptuously silent. Mrs. Siddons, according to Campbell, ‘never
concealed her disgust at the popular infatuation.’ At the end of the
play Lord Abercorn came into her box and told her that that boy, Betty,
would eclipse everything which had been called acting, in England. ‘My
Lord,’ she answered, ‘he is a very clever, pretty boy; but nothing
more.’ Mrs. Siddons, however, was meanly jealous of all that stood
between her and the public. When Mrs. Siddons was young, she was
jealous of grand old Mrs. Crawford. When Mrs. Siddons was old, and
had retired, she was jealous of young Miss O’Neill. She querulously
said that the public were fond of setting up new idols in order to
annoy their former favourites. George Frederick Cooke who had played
Glenalvon to Master Betty’s Norval--played it finely too, at his very
best--and could not crush the boy, after whom everybody was repeating
the line he made so famous,
The blood of Douglas can protect itself!
Public-domain text, read in full here on John Shaqi.
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