In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
When a spectator takes his seat in front of the curtain, he is hardly
aware that he is about to address himself to an entertainment, for the
production of which nearly nine hundred persons--from the foremost
man down to the charwoman--are constantly employed and liberally
remunerated. Touching this ‘remuneration,’ let me here notice that I
have some doubt as to the story of Quin ever receiving 50_l._ a night.
By the courtesy of Mr. ----, the gentleman at the head of the Drury
Lane treasury, and by the favour of the proprietors, I have looked
through many of the well-kept account-books of bygone years. These,
indeed, do not, at least as far as I have seen, go back to the days of
Quin, but there are traces of the greater actor Garrick, who certainly
never received so rich an _honorarium_. His actual income it is not
easy to ascertain, as his profits as proprietor were mixed up with
his salary as actor. It has often been said that Garrick was never
to be met with in a tavern (always, I suppose, excepting the ‘Turk’s
Head’), but he appears to have drawn refreshment during the Drury Lane
seasons, as there is unfailing entry in his weekly account of ‘the Ben
Jonson’s Head bill,’ the total of which varies between sixteen and
five-and-twenty shillings.
At Drury Lane, John Kemble does not appear to have ever received above
2_l._ a night, exclusive of his salary as a manager. Nor did his
sister’s salary for some years exceed that sum. When Edmund Kean raised
the fallen fortunes of old Drury, he only slowly began to mend his own.
From January 1814, to April 1815, during the time the house was open,
Kean’s salary was 3_l._ 8_s._ 8_d._ nightly. If the theatre was open
every night in the week, that sum was the actor’s nightly stipend,
whether he performed or not. If there were only four performances
weekly, as in Lent, he and all other actors were only paid for those
four nights. Within the period I have named, Elliston received a
higher salary than Kean, namely 5_l._ per night, or 30_l._ per week,
if the house was open for six consecutive nights. The salary of Dowton
and Munden, during the same period, was equal to that of Kean. They
received at the rate of 3_l._ 8_s._ 8_d._ nightly, or 20_l._ weekly, if
there were six performances, irrespective as to their being employed in
them or not. That great actor Bannister, according to these Drury Lane
account-books, at this period received 4_s._ per night less than Kean,
Dowton and Munden; while Jack Johnstone’s salary was only 2_l._ 10_s._
nightly, and that was 6_s._ 8_d._ _less_ than was paid to the handsome,
rather than _good_ player, Rae.
Public-domain text, read in full here on John Shaqi.
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