It is singular to find Charles Mathews, senior, writing of himself; ‘I only perform for one rank of persons. The lower orders hate and avoid me, and the middle classes cannot comprehend me.’ He used to get fun enough out of his own man-servant, whose awe and pride at seeing a titled personage at his master’s house were amply stimulated by friends of Mathews who visited him under assumed dignities. Charles Kemble was always announced as the Persian Ambassador, Fawcett as Sir Francis Burdett, and Young as the Duke of Wellington. One day, a real Lord--Lord Ranelagh--called and sent in a message expressive of his desire to see Mathews. Mathews, supposing the visitor was a fellow-player passing as a peer, sent a reply that he was just then busy with Lord Vauxhall. When Mr. Julian Young once told Mathews he was going to Lord Dacres at the Hoo, the actor replied, _Who?_ and thinking Bob Acres was raised to the peerage, begged to be remembered to Sir Lucius O’Trigger! One of the most flattering kindnesses ever paid to the elder Mathews was when he was once standing among the crowd in a Court of Assize, where Judge Alan Park was presiding. His lordship sent a note down to him, requesting him to come and take a seat on the bench. The actor obeyed, and the judge was courteously attentive to him. Mathews was subsequently the guest of his old friend Mr. Rolls, at whose house in Monmouthshire the judge had previously been staying. The player asked if his lordship had alluded to him. ‘Yes,’ said Rolls, who proceeded to relate how Judge Park had been startled at seeing in court a fellow who was in the habit of imitating the voice and manners of the judges on the stage. Indeed, his imitation of Lord Ellenborough, in ‘Love, Law, and Physic,’ had well nigh brought the imitator to grief. Park said the presence of Mathews so troubled him that he invited the mimic to sit near him, and behaved so kindly that he hoped the actor, out of simple gratitude, would not include him in his Legal Portraits in comedy or farce.