In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine — John Shaqi
In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
History
In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
The wrong thing came with the east
wind or epidemics. Sometimes an odd word or two would baffle a lady.
At the beginning of the present century the exquisite Alison Cockburn
referred in one of her letters to some ‘unpareleled boon.’ The word
caught her eye, and she gaily added as a postscript, ‘Cannot spell
unparaleled.’
The letters of fine gentlemen are written in a fine gentlemanly way.
If the fine gentleman be a wit and a poet it does not always improve
the style of the letter. Much nonsense has been written upon Waller
and his Sacharissa (Lady Dorothy Sidney). The facts of their supposed
love passages have grown up out of the imaginations of sentimental
writers. When Lady Dorothy married Lord Spencer, Waller wrote to her
sister, Lady Lucy, a letter which would now be considered much more
impudent than witty. But the poet’s hand is in it as well as the
impudent wit’s. After sympathising with Lady Lucy on the loss of her
sister ‘bedfellow,’ and expressing a hope that the latter would soon
‘taste of the first curse imposed on woman,’ and often; in due course
of time, the poet wishes, ‘May she then arrive at that great curse so
much declined by fair ladies, old age. May she live to be very old and
yet seem young, be told so by her glass, and have no aches to inform
her of the truth. And when she shall appear to be mortal, may her lord
not mourn for her, but go hand in hand with her to that place where we
are told there is neither marrying nor giving in marriage, that being
there divorced we may all have an equal interest in her again.’
Letters _to_ children are as difficult to write as books _for_
children. Crabb Robinson stands at the head of all inditers of little
epistles to little folk. He is not in the vein of Jeffrey to his
granddaughter, as in ‘I send you my blessing and wish I was kissing
your sweet rosy lips or your fat finger tips.’ Robinson comes nearer
to Hood, only that he could not stoop to use old jokes as well as make
new. The two are together in the following paragraph in Hood’s letter
to May, one of Dr. Elliot’s daughters: ‘Tell Dunnie that Tom has set
his trap in the balcony, and has caught a cold; and tell Jeanie that
Fanny has set her foot in the garden, but it has not come up yet....
The other night, when I came from Stratford, the cold shrivelled me up
so that when I got home I thought I was my own child.’ The best thing
Crabb Robinson did in this way was by surprising a little girl, who
said she did not know how to write a letter to her little brother, by
proving to her that she was a perfect letter-writer. She had asked
Robinson to suggest all the subjects. He proposed purposely something
untrue, then something silly, but both were rejected by the child on
the ground of their untruthfulness and silliness. This process went on
till the child adopted such subjects as were adapted to her purpose,
and she found she was a good letter-writer without knowing it.
Public-domain text, read in full here on John Shaqi.
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