Recorder passing by from his court? He is a friend of the family, and will see that neither rogue nor ass carries off the wealthy widow.’ ‘Ay!’ cried the host of the Windmill, ‘Mistress Bennett is in safe hands, with Sir Heneage Finch for her guardian and her little son’s guardian.’ And so said all who stood within hearing. The scene now changes to the widow’s best room, in her mansion in Old Jewry. If you can fancy the three slim Graces rolled into one, with no other result but delicious increase of beauty in form, motion, look, and expression, you may have a very fair idea of this most blooming and best endowed of widows. Physically, morally, materially, she was not to be equalled throughout the realm of mature womanhood. Fair of face, frank of speech, with an inheritance of two-thirds of her late husband’s property, a prosperous business, plate, diamonds, cash, the mansion in which she lived, a coach, six horses, and all things that tend to make life enjoyable, Mistress Bennett took her widowhood with that sort of resignation which is denoted by an air of calm content with providential dispensations. She was in such esteem that at least a score of lovers were contending for the honour of rendering her happy. Even the ladies were busy in commending certain of the suitors. The widow would not be persuaded. The lady advisers were frivolous. She would rely on the grave counsel of a grave man. Mr. Recorder would be her truest support if she ever found herself in any perplexity on the subject of marrying again. At the moment it was a subject that was not in her thoughts. ‘The subject is in the thoughts of young Butler, of Bramfield,’ said Lady Skinner. ‘He is a gentleman----’ ‘He is a black, blunt-nosed one,’ interrupted the widow. And indeed Butler was not an Adonis. ‘I pity poor Sir Peter Temple,’ said another of Love’s messengers that morning. ‘Stowe does not make him happy; _you_ might.’ ‘Eleanor Tirrell _will_,’ replied the widow. ‘I wish they were all as well provided for.’ ‘All!’ exclaimed Sir Peter’s friend. ‘Why, to what tune does the list run?’