In Barbary : $b Tunisia, Algeria, Morocco and the SaharaPowell, E. Alexander (Edward Alexander)
History
In Barbary : $b Tunisia, Algeria, Morocco and the Sahara
Powell, E. Alexander (Edward Alexander)
Africa, North -- Description and travel
Looking down from the summit of the Byrsa, one’s attention is immediately
attracted by two small, curiously shaped ponds which lie within a few
yards of the shore. Seen from above, they bear a striking resemblance
to a sickle, the elongated lagoon corresponding to the handle of the
implement and the crescent-shaped one to the blade. And, in a manner
of speaking, a sickle, is what they were; the sickle with which the
Carthaginians reaped the sea-trade of the world and all but mowed
down the Roman sea-power. For the larger of the two ponds is the sole
remaining vestige of Carthage’s great commercial harbor; the smaller, of
the naval port, or Cothon.
It requires a sturdy and well-oiled imagination, however, to recreate on
the grassy shores of these two insignificant ponds the wharves, slips,
dockyards, workshops, storehouses, walls, and watch-towers which made
this now tranquil spot the greatest naval base of ancient times; to
realize that this was once the emporium of all the sea-borne trade of
the world from Syria to Cornwall; that here were launched those terrible
war-galleys, with their brazen prows and bristling banks of oars, which
enabled the Carthaginians to keep the Mediterranean for centuries a Punic
lake. But cross by the narrow isthmus to the little island—an island no
longer—on which the Admiralty Palace stood, and look down into the great
pit dug by the excavators, and any lingering doubts you may have as to
the authenticity of the site will disappear; for on the huge hewn blocks
which lie tumbled pell-mell in the bottom of the cavity is still plainly
discernible the _Tanith_ in red paint which was the Punic sign manual and
crest.
Of the excavated, or partly excavated, remains of Roman Carthage, the
most interesting are the Odéon, the Amphitheater, and the Circus. The
Odéon, or opera-house, a semicircular building with a roof, was erected
in A.D. 204, when the Carthaginians obtained permission to hold the
Pythian Games. Little of it now remains, but its ruins have yielded two
of the finest statues yet unearthed at Carthage, those of Juno Regia and
Venus.
Public-domain text, read in full here on John Shaqi.
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