------------------------------------------------------------------------ Transcriber’s Note: This version of the text cannot represent certain typographical effects. Italics are delimited with the ‘_’ character as _italic_. Footnotes have been moved to follow the paragraphs in which they are referenced. Minor errors, attributable to the printer, have been corrected. Please see the transcriber’s note at the end of this text for details regarding the handling of any textual issues encountered during its preparation. RUDYARD KIPLING VOLUME IV IN BLACK AND WHITE [Illustration: ON THE CITY WALL] THE WRITINGS IN PROSE AND VERSE OF RUDYARD KIPLING IN BLACK AND WHITE [Illustration] NEW YORK CHARLES SCRIBNER’S SONS 1909 _Copyright, 1895_, By MACMILLAN AND CO. _Copyright, 1897_, By RUDYARD KIPLING PREFACE In Northern India stood a monastery called The Chubára of Dhunni Bhagat. No one remembered who or what Dhunni Bhagat had been. He had lived his life, made a little money and spent it all, as every good Hindu should do, on a work of piety—the Chubára. That was full of brick cells, gaily painted with the figures of Gods and kings and elephants, where worn-out priests could sit and meditate on the latter end of things: the paths were brick-paved, and the naked feet of thousands had worn them into gutters. Clumps of mangoes sprouted from between the bricks; great pipal trees overhung the well-windlass that whined all day; and hosts of parrots tore through the trees. Crows and squirrels were tame in that place, for they knew that never a priest would touch them. The wandering mendicants, charm-sellers, and holy vagabonds for a hundred miles round used to make the Chubára their place of call and rest. Mahommedan, Sikh, and Hindu mixed equally under the trees. They were old men, and when man has come to the turnstiles of Night all the creeds in the world seem to him wonderfully alike and colourless.