The _Muezzin_ fumbles for a moment with the door of one of the Minars,
disappears awhile, and a bull-like roar—a magnificent bass thunder—tells
that he has reached the top of the Minar. They must hear the cry to the
banks of the shrunken Ravee itself! Even across the courtyard it is
almost overpowering. The cloud drifts by and shows him outlined in black
against the sky, hands laid upon his ears, and broad chest heaving with
the play of his lungs—“Allah ho Akbar”; then a pause while another
_Muezzin_ somewhere in the direction of the Golden Temple takes up the
call—“Allah ho Akbar.” Again and again; four times in all; and from the
bedsteads a dozen men have risen up already.—“I bear witness that there
is no God but God.” What a splendid cry it is, the proclamation of the
creed that brings men out of their beds by scores at midnight! Once
again he thunders through the same phrase, shaking with the vehemence of
his own voice; and then, far and near, the night air rings with “Mahomed
is the Prophet of God.” It is as though he were flinging his defiance to
the far-off horizon, where the summer lightning plays and leaps like a
bared sword. Every _Muezzin_ in the city is in full cry, and some men on
the roof-tops are beginning to kneel. A long pause precedes the last
cry, “La ilaha Illallah,” and the silence closes up on it, as the ram on
the head of a cotton-bale.
The _Muezzin_ stumbles down the dark stairway grumbling in his beard. He
passes the arch of the entrance and disappears. Then the stifling
silence settles down over the City of Dreadful Night. The kites on the
Minar sleep again, snoring more loudly, the hot breeze comes up in puffs
and lazy eddies, and the Moon slides down towards the horizon. Seated
with both elbows on the parapet of the tower, one can watch and wonder
over that heat-tortured hive till the dawn. “How do they live down
there? What do they think of? When will they awake?” More tinkling of
sluiced water-pots; faint jarring of wooden bedsteads moved into or out
of the shadows; uncouth music of stringed instruments softened by
distance into a plaintive wail, and one low grumble of far-off thunder.
In the courtyard of the mosque the janitor, who lay across the threshold
of the Minar when I came up, starts wildly in his sleep, throws his
hands above his head, mutters something, and falls back again. Lulled by
the snoring of the kites—they snore like over-gorged humans—I drop off
into an uneasy doze, conscious that three o’clock has struck, and that
there is a slight—a very slight—coolness in the atmosphere. The city is
absolutely quiet now, but for some vagrant dog’s love-song. Nothing save
dead heavy sleep.
Public-domain text, read in full here on John Shaqi.
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