"Stay here!" she echoed; "I wish I could do anything else. But," she
demurred, "I am afraid you will get into trouble, too."
But the stranger had already gone. A moment or two later, he was back
again, with two long boards under his arm, as he picked his way along
towards the young woman to whose rescue he had so valiantly devoted
himself. Once back at his old station, he dropped one of the boards on
the snow, pushed it towards her, tested its strength, and then walked
the length of it, in order to place the other board in position. This
second bridge brought him to her side.
"Now," he said gravely, as he bent forward and held out his hand, "let
me take the bundle first."
Obeying him as implicitly as a child might have done, Louise handed him
the great bundle the ragged corners of which bore unmistakable signs of
her recent adventure, and he carefully conveyed it to a place of safety.
Then he returned to the spot where she was standing in a sort of open
pool, which was growing wider and deeper with her every motion.
"Please take hold of my hand," he said, with the same quiet courtesy
which he might have shown in asking her for a waltz, though he pressed
his lips firmly together, to keep back the smile which was trembling
there. "Now, can you step up on the end of this board?"
For a moment Louise hesitated. The step was a long one, and, in her
soaked condition, she had lost all her wonted elasticity of motion.
However, something in the stranger's face made her feel that it was best
for her to obey, with as few words as possible; so she mustered all her
strength, made a violent effort, and scrambled up to the end of the
board, striking it with a force which sent it swinging far to the left.
For one instant she balanced herself upon her slippery foothold; then
she fell backward with a suddenness that carried her rescuer with her,
and they both plunged head foremost down into the gray pool below, just
as Grant and Ned came out at the chapel door, to look for their missing
sister.
Public-domain text, read in full here on John Shaqi.
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