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IN BRIEF AUTHORITY
BY F. ANSTEY
AUTHOR OF "VICE VERSA," "A FALLEN IDOL," "THE PARIAH," "THE GIANT'S
ROBE," "LYRE AND LANCET," "THE BRASS BOTTLE," "THE TALKING HORSE AND
OTHER TALES," "SALTED ALMONDS," ETC.
LONDON
SMITH, ELDER & CO., 15 WATERLOO PLACE
1915
[All rights reserved]
Printed by BALLANTYNE, HANSON & CO.
at the Ballantyne Press, Edinburgh
To
Peggy
AUTHOR'S NOTE
It may be as well to mention here that the whole of this book was
planned, and at least three-fourths of it actually written, in those
happy days, which now seem so pathetically distant, when we were still
at peace--days when, to all but a very few, so hideous a calamity as a
World-War seemed a danger that had passed for the present, and might
never recur; when even those few could hardly have foreseen that England
would be so soon compelled to fight for her very existence against the
most efficient and deadly foe it has ever been her lot to encounter.
But, as the central idea of this story happens to be inseparably
connected with certain characters and incidents of German origin, I have
left them unaltered--partly because it would have been difficult, if not
impossible, to substitute any others, but mainly because I cannot bring
myself to believe that the nursery friends of our youth could ever be
regarded as enemies.
F. ANSTEY.
_September 1915._
CONTENTS
I. "THE SKIRTS OF HAPPY CHANCE"
II. RUSHING TO CONCLUSIONS
III. FINE FEATHERS
IV. CROWNED HEADS
V. DIGNITY UNDER DIFFICULTIES
VI. CARES OF STATE
VII. A GAME THEY DID NOT UNDERSTAND
VIII. "A STEED THAT KNOWS HIS RIDER"
IX. THE PLEASURES OF THE TABLE
X. THE BLONDE BEAST
XI. A WAY OUT
XII. UNWELCOME ANNOUNCEMENTS
XIII. WHAT THE PIGEON SAID
XIV. BAG AND BAGGAGE
XV. "RIVEN WITH VAIN ENDEAVOUR"
XVI. "A CLOUD THAT'S DRAGONISH"
XVII. THE REWARD OF VALOUR
XVIII. A PREVIOUS ENGAGEMENT
XIX. SERVANTS OF THE QUEEN
XX. AT THE END OF HER TETHER
XXI. "WHOSE LIGHTS ARE FLED, WHOSE GARLANDS DEAD"
XXII. SQUARING ACCOUNTS
EPILOGUE
IN BRIEF AUTHORITY
CHAPTER I
"THE SKIRTS OF HAPPY CHANCE"
On a certain afternoon in March Mrs. Sidney Stimpson (or rather Mrs.
Sidney Wibberley-Stimpson, as a recent legacy from a distant relative
had provided her with an excuse for styling herself) was sitting alone
in her drawing-room at "Inglegarth," Gablehurst.
"Inglegarth" was the name she had chosen for the house on coming to live
there some years before. What it exactly meant she could not have
explained, but it sounded distinguished and out of the common, without
being reprehensibly eccentric. Hence the choice.
Public-domain text, read in full here on John Shaqi.
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