of the noblemen have come to this great marriage, which to-morrow shall be celebrated".[85] Randolph's epistolary garrulity has, in this instance, served one good purpose, of which he probably little dreamt when he filled his correspondence with the small talk of the Court circle. It enables us to refute a calumnious assertion made by John Knox with reference to the marriage of the Queen's maid of honour. "It was weill knawin that schame haistit mariage betwix John Sempill, callit the Danser, and Marie Levingstoune, surnameit the Lustie."[86] Randolph's first letter, showing, as it does, that preparations for the wedding were in progress as early as the beginning of January, summarily dismisses the charge of "haste" in its celebration, whilst, for those who are familiar with the style of the English envoy's correspondence, his very silence will appear the strongest proof that Mary's fair fame was tarnished by no breath of scandal. The birth of her first child in 1566, a fact to which the family records of the house of Sempill bear witness, establishes more irrefutably than any argument the utter falsity of Knox's unscrupulous assertion. John Sempill, whose grace in dancing had acquired for him the surname which seems to have lain so heavily on Knox's conscience, and whose good fortune in finding favour with lovely Mary Livingston called forth Randolph's congratulations, was the eldest son of the third lord, by his second wife Elizabeth Carlyle of Torthorwold. At Court, as may have been gathered from Randolph's letters, he was known as the "Englishman", owing to the fact of his having been born in Newcastle. Although of good family himself, and in high favour at Court, being but a younger son he does not seem to have been considered on all hands as a fitting match for Mary Livingston. This the Queen, of whose making the marriage was, herself confesses in a letter to the Archbishop of Glasgow, reminding him that, "in a country where these formalities were looked to", exception had been taken to the marriage both of Mary and Magdalene Livingston on the score that they had taken as husbands "the younger sons of their peers--_les puînés de leurs semblables_".[87] Mary Stuart seems to have been above such prejudices, and showed how heartily she approved of the alliance between the two families by her liberality to the bride. Shortly before the marriage she gave her a band covered with pearls, a basquina of grey satin, a mantle of black taffety made in the Spanish fashion with silver buttons, and also a gown of black taffety. It was she, too, who furnished the bridal dress, which cost £30, as entered in the accounts under date of the 10th of March:-- Item: Ane pund xiii unce of silver to ane gown of Marie Levingstoune's to her mariage, the unce xxv s. Summa xxx li.