Before the war there were no people better known or more prominent in their portion of the State than the De Willoughbys of Delisle County, Tennessee. To have been born a De Willoughby was, in general opinion, to have been born with a silver spoon in one's mouth. It was indeed to have been born to social dignity, fortune, courage, and more than the usual allowance of good looks. And though the fortune was lavishly spent, the courage sometimes betrayed into a rather theatrical dare-deviltry, and the good looks prone to deteriorate in style, there was always the social position left, and this was a matter of the deepest importance in Delisleville. The sentiments of Delisleville were purely patrician. It was the county town, and contained six thousand inhabitants, two hotels, and a court-house. It had also two or three business streets and half a dozen churches, all very much at odds with each other and each seriously inclined to disbelieve in the probable salvation of the rest. The "first families" (of which there were eight or ten, with numerous branches) attended the Episcopal Church, the second best the Presbyterian, while the inferior classes, who could scarcely be counted at all, since they had not been born in Delisleville, drifted to the Methodists. The De Willoughbys attended the Episcopal Church, and, being generally endowed with voices, two or three of them sang in the choir, which was composed entirely of members of the attending families and executed most difficult music in a manner which was the cause after each service of much divided opinion. Opinion was divided because the choir was divided--separated, in fact, into several small, select cliques, each engaged in deadly and bitter feud with the rest. When the moon-eyed soprano arose, with a gentle flutter, and opened her charming mouth in solo, her friends settled themselves in their pews with a general rustle of satisfaction, while the friends of the contralto exchanged civilly significant glances; and on the way home the solo in question was disposed of in a manner at once thorough and final. The same thing occurred when the contralto was prominent, or the tenor, or the baritone, or the basso, each of whom it was confidently asserted by competent Delisleville judges might have rendered him or herself and Delisleville immortal upon the lyric stage if social position had not placed the following of such a profession entirely out of the question. There had indeed been some slight trouble in one or two of the best families, occasioned by the musical fervour of youthful scions who were in danger of being led into indiscretions by their enthusiasm.