It would be an easy matter, indeed, to demonstrate that superior talent in man is practically always accompanied by this feminine flavour—that complete masculinity and stupidity are often indistinguishable. Lest I be misunderstood I hasten to add that I do not mean to say that masculinity contributes nothing to the complex of chemico-physiological reactions which produces what we call talent; all I mean to say is that this complex is impossible without the feminine contribution that it is a product of the interplay of the two elements. In women of genius we see the opposite picture. They are commonly distinctly mannish, and shave as well as shine. Think of George Sand, Catherine the Great, Elizabeth of England, Rosa Bonheur, Teresa Carreo or Cosima Wagner. The truth is that neither sex, without some fertilization by the complementary characters of the other, is capable of the highest reaches of human endeavour. Man, without a saving touch of woman in him, is too doltish, too naive and romantic, too easily deluded and lulled to sleep by his imagination to be anything above a cavalryman, a theologian or a bank director. And woman, without some trace of that divine innocence which is masculine, is too harshly the realist for those vast projections of the fancy which lie at the heart of what we call genius. Here, as elsewhere in the universe, the best effects are obtained by a mingling of elements. The wholly manly man lacks the wit necessary to give objective form to his soaring and secret dreams, and the wholly womanly woman is apt to be too cynical a creature to dream at all. 3. The Masculine Bag of Tricks