Short stories; United States -- Social life and customs -- 19th century -- Fiction
She kissed her mother's hand that rested on the window-sill. Rachel did
not like the kiss, nor Dorothy's brilliant eyes and flushed cheeks, as
the candle revealed them like a fair picture painted on the darkness. She
hesitated, but Dorothy sped away up the lane with old John lagging at his
halter.
Was it the music growing nearer that quickened her breathing, or only the
closeness of the night shut in between the wild grapevine curtains swung
from one dark cedar column to another? She caught the sweetbrier's breath
as she hurried by, and now a loop in the leafy curtain revealed the pond,
lying black in a hollow of the hills with a whole heaven of stars reflected
in it. Old John stumbled along over the stones, cropping the grass as he
went. Dorothy tugged at his halter and urged him on to the head of the
lane, where two farm-gates stood at right angles. One of them was open and
a number of horses were tethered in a row along the fence within. They
whinnied a cheerful greeting to John as Dorothy slipped his halter and shut
him into the field adjoining. Now should she walk into temptation with her
eyes and ears open? The gate stood wide, with only one field of perfumed
meadow-grass between her and the lights and music of Slocum's barn. The
sound of revelry by night could hardly have taken a more innocent form than
this rustic dancing of neighbors after a “raisin' bee,” but had it been the
rout of Comus and his crew, and Dorothy the Lady Una trembling near, her
heart could hardly have throbbed more quickly as she crossed the dewy
meadow. A young maple stood within ten rods of the barn, and here she
crouched in shadow.
The great doors stood wide open and lanterns were hung from the beams,
lighting the space between the mows where a dance was set, with youths and
maidens in two long rows. The fiddlers sat on barrel-heads near the door;
a lantern hanging just behind projected their shadows across the square
of light on the trodden space in front, where they executed a grotesque
pantomime, keeping time to the music with spectral wavings and noddings.
The dancers were Dorothy's young neighbors, whom she had known, and yet not
known, all her life, but they had the strangeness of familiar faces seen
suddenly in some fantastic dream.
Public-domain text, read in full here on John Shaqi.
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