In exitu Israel : $b an historical novel, volume 1 (of 2) — John Shaqi
In exitu Israel : $b an historical novel, volume 1 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 1 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
Lebertre pressed the hand of his agitated companion, and pointed up
at the Christ, whilst an expression of faith and devotion brightened
his own countenance. He designed to lead the thoughts of Lindet to
the great Exemplar of patient suffering, but the curé of S. Cross
mistook his meaning. He stood as one transfixed, before the tall
gaunt crucifix, looking up at the illumined figure. Then, extending
his arms, he cried, ‘Oh Jesus Christ! truly Thou wast martyred by
the bishops and aristocrats of Thy day; smitten, insulted, condemned
to death by Annas and Caiaphas, the high priests, and by Pilate, the
imperial governor. Verily, Thy body the Church bleeds at the present
day, sentenced and tortured by their successors in Church and State.’
Before the words had escaped his lips, a cry, piercing and full of
agony, thrilled through the forest.
Lindet and Lebertre held their breath. In another instant, from
a footpath over which the bushes closed, burst a peasant girl,
parting the branches, and darting to the crucifix, she flung herself
before it, clasping her arms around the trunk, and in so doing
overturning a flower-basket on her arm, and strewing the pedestal and
kneeling-bench with bunches of roses.
She was followed closely by a large man, richly dressed, who sprang
towards her, cast his arms round her waist, and attempted to drag
her from her hold. ‘Sacré! you sweet little wench. If persuasion and
flattery fail, why, force must succeed.’ And he wrenched one of her
bare brown arms from the cross. She cast a despairing look upward
at the thorn-crowned head which bowed over her and the seducer, and
uttered another piteous wail for help.
At the same moment, the sun passed behind some bars of fog on the
horizon, and the light it flung changed instantly from yellow to
blood-red. The figure of the Christ was a miserable work of art, of
the offensive style prevalent at the period, contorted with pain,
the face drawn, and studded with huge clots of blood. In the scarlet
light it shone down on those below as though it were carved out of
flame, and menaced wrathfully.
The girl still clung to the cross with one arm. She was dressed in a
short blue woollen skirt that left unimpeded her ankles and feet, a
black bodice laced in front, exposing the coarse linen sleeves and
shift gathered over the bosom about the throat. Her white frilled
Normandy cap, with its broad flaps, was disturbed, and some locks of
raven hair fell from beneath it over her slender polished neck. The
oval sun-browned face was exquisitely beautiful. The large dark eyes
were distended with terror, and the lips were parted.
‘Mon Dieu! do you think that those frail arms can battle with mine?’
asked the pursuer with mocking composure, as he drew the other arm
from the stem of the cross, and holding both at the wrists, pressed
them back at the girl’s side so as to force her to face him.
Public-domain text, read in full here on John Shaqi.
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