Buddhism; Folklore -- Japan; Japan -- Social life and customs
The structure was very simple. The bottom was a piece of thick plank,
perfectly square, and measuring about ten inches across. Each one of
its corners supported a slender slick about sixteen inches high; and
these four uprights, united above by cross-pieces, sustained the paper
sides. Upon the point of a long nail, driven up through the centre of
the bottom, was fixed a lighted candle. The top was left open. The four
sides presented five different colors,—blue, yellow, red, white, and
black; these five colors respectively symbolizing Ether, Wind, Fire,
Water, and Earth,—the five Buddhist elements which are metaphysically
identified with the Five Buddhas. One of the paper-panes was red, one
blue, one yellow; and the right half of the fourth pane was black,
while the left half, uncolored, represented white. No _kaimyō_ was
written upon any of the transparencies. Inside the lantern there was
only the flickering candle.
I watched those frail glowing shapes drifting through the night, and
ever as they drifted scattering, under impulse of wind and wave, more
and more widely apart. Each, with its quiver of color, seemed a life
afraid,—trembling on the blind current that was bearing it into the
outer blackness…. Are not we ourselves as lanterns launched upon a
deeper and a dimmer sea, and ever separating further and further one
from another as we drift to the inevitable dissolution? Soon the
thought-light in each burns itself out: then the poor frames, and all
that is left of their once fair colors, must melt forever into the
colorless Void.
Even in the moment of this musing I began to doubt whether I was really
alone,—to ask myself whether there might not be something more than a
mere shuddering of light in the thing that rocked beside me: some
presence that haunted the dying flame, and was watching the watcher. A
faint cold thrill passed over me,—perhaps some chill uprising from the
depths,—perhaps the creeping only of a ghostly fancy. Old superstitions
of the coast recurred to me,—old vague warnings of peril in the time of
the passage of Souls. I reflected that were any evil to befall me out
there in the night,—meddling, or seeming to meddle, with the lights of
the Dead,—I should myself furnish the subject of some future weird
legend…. I whispered the Buddhist formula of farewell—to the
lights,—and made speed for shore.
As I touched the stones again, I was startled by seeing two white
shadows before me; but a kindly voice, asking if the water was cold,
set me at ease. It was the voice of my old landlord, Otokichi the
fishseller, who had come to look for me, accompanied by his wife.
“Only pleasantly cool,” I made answer, as I threw on my robe to go home
with them.
“Ah,” said the wife, “it is not good to go out there on the night of
the Bon!”
“I did not go far,” I replied;—“I only wanted to look at the lanterns.”
Public-domain text, read in full here on John Shaqi.
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