But to us they should be still more valuable. To travel in a foreign
country is but to touch its surface. Under the guidance of a novelist
of genius we penetrate to the secrets of a nation, and talk the very
language of its citizens. We may go to Normandy summer after summer and
know less of the manner of life that proceeds under those gnarled
orchards of apple-blossom than we learn from one tale of Guy de
Maupassant's. The present series is intended to be a guide to the inner
geography of Europe. It presents to our readers a series of spiritual
Baedekers and Murrays. It will endeavour to keep pace with every truly
characteristic and vigorous expression of the novelist's art in each of
the principal European countries, presenting what is quite new if it is
also good, side by side with what is old, if it has not hitherto been
presented to our public. That will be selected which gives with most
freshness and variety the different aspects of continental feeling, the
only limits of selection being that a book shall be, on the one hand,
amusing, and, on the other, wholesome.
One difficulty which must be frankly faced is that of subject. Life is
now treated in fiction by every race but our own with singular candour.
The novelists of the Lutheran North are not more fully emancipated from
prejudice in this respect than the novelists of the Catholic South.
Everywhere in Europe a novel is looked upon now as an impersonal work,
from which the writer, as a mere observer, stands aloof, neither
blaming nor applauding. Continental fiction has learned to exclude, in
the main, from among the subjects of its attention, all but those facts
which are of common experience, and thus the novelists have determined
to disdain nothing and to repudiate nothing which is common to
humanity; much is freely discussed, even in the novels of Holland and
of Denmark, which our race is apt to treat with a much more gingerly
discretion. It is not difficult, however, we believe--it is certainly
not impossible--to discard all which may justly give offence, and yet
to offer to an English public as many of the masterpieces of European
fiction as we can ever hope to see included in this library. It will be
the endeavour of the editor to search on all hands and in all languages
for such books as combine the greatest literary value with the most
curious and amusing qualities of manner and matter.
EDMUND GOSSE.
IN GOD'S WAY
Heinemann's International Library.
Edited by EDMUND GOSSE.
_Crown 8vo, in paper covers, 2s. 6d., or cloth limp, 3s. 6d_.
Volume I.
_IN GOD'S WAY_.
_A Novel_.
_By BJÖRNSTJERNE BJÖRNSON_.
_Translated from the Norwegian by Elizabeth Carmichael_.
* * *
Public-domain text, read in full here on John Shaqi.
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