Cumberland Mountains -- Fiction; Kentucky -- Social life and customs -- Fiction; Mountain life -- Fiction
The old man flattened behind the big kettle with his pistol out. One
of the four men leaped for a tree--the others shot up their hands. The
card-players rolled over the bank near them, with no thought of where
they would land, and the drunken man slept on. The boy laughed loudly.
"Don't shoot!" he cried, and he came through the bushes jeering. The men
at the still dropped their hands and looked sheepish and then angry, as
did the card-players, whose faces reappeared over the edge of the bank.
But the old man and the young one behind the tree, who alone had got
ready to fight, joined in with the boy, and the others had to look
sheepish again.
"Come on, Chris!" said the old moonshiner, dipping the cup into the
white liquor and handing it forth full, "Hit's on me."
Christmas is "new Christmas" in Happy Valley. The women give scant heed
to it, and to the men it means "a jug of liquor, a pistol in each hand,
and a galloping nag." There had been target-shooting at Uncle Jerry's
mill to see who should drink old Jeb Mullins's moonshine and who should
smell, and so good was the marksmanship that nobody went without his
dram. The carousing, dancing, and fighting were about all over, and now,
twelve days later, it was the dawn of "old Christmas," and St. Hilda sat
on the porch of her Mission school alone. The old folks of Happy Valley
pay puritan heed to "old Christmas." They eat cold food and preserve a
solemn demeanor on that day, and they have the pretty legend that at
midnight the elders bloom and the beasts of the field and the cattle
in the barn kneel, lowing and moaning. The sun was just rising and the
day was mild, for a curious warm spell, not uncommon in the hills, had
come to Happy Valley. Already singing little workers were "toting rocks"
from St. Hilda's garden, corn-field, and vineyard, for it was Monday,
and every Monday they gathered--boys and girls--from creek and hillside,
to help her as volunteers. Far up the road she heard among them taunting
laughter and jeers, and she rose quickly. A loud oath shocked the air,
and she saw a boy chasing one of the workers up the vineyard hill. She
saw the pursuer raise his hand and fall, just as he was about to hurl a
stone. Then there were more laughter and jeers, and the fallen boy picked
himself up heavily and started down the road toward her--staggering. On
he came staggering, and when he stood swaying before her there was no
shocked horror in her face--only pity and sorrow.
"Oh, Chris, Chris!" she said sadly. The boy neither spoke nor lifted
his eyes, and she led him up-stairs and put him to bed. All day he
slept in a stupor, and it was near sunset when he came down, pale,
shamed, and silent. There were several children in the porch.
"Come, Chris!" St. Hilda said, and he followed her down to the edge of
the creek, where she sat down on a log and he stood with hanging head
before her.
Public-domain text, read in full here on John Shaqi.
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