Dickens, Charles, 1812-1870 -- Knowledge -- Prisons; Prisons; Prisons -- England -- London; Prisons in literature
"As the warmth of the cheerful day began to shed itself upon the
scanty crowd the murmur of tongues was heard, shutters were thrown
open, the blinds drawn up, and those who had slept in rooms over
against the prison, where places to see the execution were let at high
prices, rose hastily from their beds. In some of the houses people
were busy taking out the window-sashes for the better accommodation of
the spectators; in others, the spectators were already seated, and
beguiling the time with cards, or drink, or jokes among themselves.
Some had purchased seats upon the housetops, and were already crawling
to their stations from parapet and garret window. Some were yet
bargaining for good places, and stood in them in a state of
indecision, gazing at the slowly-swelling crowd, and at the workmen as
they rested listlessly against the scaffold--affecting to listen with
indifference to the proprietor's eulogy of the commanding view his
house afforded, and the surpassing cheapness of his terms.
"A fairer morning never shone. From the roofs and the upper stories of
the buildings the spires of the city churches and the great cathedral
dome were visible, rising up beyond the prison into the blue sky, and
clad in the color of light summer clouds, and showing in the clear
atmosphere their every scrap of tracery and fretwork, and every niche
and loophole. All was lightness, brightness and promise, excepting in
the street below, into which (for it lay yet in the shadow) the eye
looked down into a dark trench, where, in the midst of so much life
and hope and renewal of existence, stood the terrible instrument of
death. It seemed as if the very sun forbore to look upon it.
"But it was better, grim and sombre in the shade, than when, the day
being more advanced, it stood confessed in full glare and glory of the
sun, with its black paint blistering and its nooses dangling in the
light like loathsome garlands. It was better in the solitude and gloom
of midnight, with a few forms clustering about it, than in the
freshness and the stir of the morning, the centre of an eager crowd.
It was better haunting the street like a spectre, when men were in
their beds, and influencing, perchance, the city's dreams, than
braving the broad day, and thrusting its obscene presence upon the
waking senses.
Public-domain text, read in full here on John Shaqi.
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