Inheritance and succession -- Fiction; Love stories; Maryland -- Fiction; Mystery fiction
The apartment was assuredly one of noble proportions, being full forty
feet in length by perhaps twenty-five in width. The ceiling of this
story and a half extension must have been at least sixteen feet in
height. The shallow dome had a diameter of fourteen feet or so; it was
unpierced by windows and the painting in distemper which ornamented its
smooth convexity represented the classic adventure of Jason and the
Golden Fleece.
The fireplace was of Caen stone with the family arms of the Hildebrands
sculptured in the central panel. Not being versed in heraldic lore I may
say briefly that the shield bore checkerboards and conventionalized
lilies in alternate quarterings, while the crest was a mailed arm
holding a burning torch or cresset. This last was interesting to me, for
we Northern Hildebrands have always used as our crest a battlemented
tower with flames issuing from its summit. But the motto: "Hildebrande à
moy," is shared in common by both branches of the family.
The side walls had no openings and were lined from top to bottom with
book shelves. The unusual height of the ceiling made narrow iron
balconies necessary in order to give access to the upper shelves, and
these galleries were reached by spiral staircases placed behind grilles
in the dark corners on the entrance side. The end wall was pierced by
four immense windows, two on either side of the fireplace, and these
were filled with the English stained glass of which Mr. Eldon had
spoken. They really seemed to be excellent examples of the art, and I
proceeded to examine them with interest.
The designs were of Scriptural origin, Old Testament scenes to be exact,
and I note them in order from left to right.
The window at the extreme left depicted the youthful Joseph journeying
to Dothan and wearing his coat of many colors; in the background his
jealous brethren are awaiting his coming and fomenting their unfraternal
conspiracy.
The window adjoining the fireplace on the left represented the rebellion
of the sons of Korah and their terrible fate in being swallowed up alive
by the gaping earth; the black and menacing sky, shot through with the
red zigzag of the lightning, seemed exceedingly realistic.
In the companion window on the right was shown the return of the
Israelitish spies from the coveted land of Canaan, bearing great
clusters of purple grapes from the valley of Eschol; in the distance,
Jericho, with Rahab's house perched high upon the city wall and
distinguished by its hanging cord of scarlet.
Public-domain text, read in full here on John Shaqi.
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