In Mr. Knox's CountrySomerville, E. Oe. (Edith Oenone)
General
In Mr. Knox's Country
Somerville, E. Oe. (Edith Oenone)
British -- Ireland -- Fiction; Ireland -- Social life and customs -- Fiction; Judges -- Fiction
The hounds were already coming to the holloa. I achieved some very
creditable falsetto screeches; I leaped from the car, and cheered and
capped them over the fence; I shouted precise directions to the Master
and Whip, who were now, with the clamours proper to their calling,
steeplechasing into the road and out of it again, followed by two or
three of the Field, including the new District Inspector of the Royal
Irish Constabulary (recently come from Meath with a high reputation as
a goer). They scrambled and struggled up the hill-side, through rocks
and furze (in connection with which I heard the new D.I. making some
strenuous comments to his Meath hunter), the hounds streamed and
screamed over the ridge of the hill, the riders shoved their puffing
horses after them, topped it, and dropped behind it. The furzy skyline
and the pleasant blue and white sky above it remained serene and silent.
I returned to the car, and my passenger, who, as I now realised, had
remained very still during these excitements.
"That was a bit of luck!" I said happily, inflated by the sense of
personal merit that is the portion of one who has viewed a fox away.
As I spoke I became aware of something fixed in Mrs. Knox's expression,
something rigid, as though she were repressing emotion; a fear flashed
through my mind that she was overtired, and that the cry of the hounds
had brought back to her the days when she too had known what a first
burst away with a fox out of Killoge Wood had felt like.
"Major Yeates," she said sepulchrally, and yet with some inward thrill
in her voice, "I think the sooner we start for home the better."
I could not turn the car, but, rather than lose time, I ran it
backwards towards the cross-roads; it was a branch of the art in which
I had not become proficient, and as, with my head over my shoulder, I
dodged the ditches, I found myself continually encountering Mrs. Knox's
eye, and was startled by something in it that was both jubilant and
compassionate. I also surprised her in the act of wiping her eyes. I
wondered if she were becoming hysterical, and yearned for Mullins as
the policeman (no doubt) yearns for the mother of the lost child.
On the road near the public-house we came upon M'Sweeny, Goggin, and
Casey, obviously awaiting us. I stopped the car, not without
reluctance.
"That will be all right, Goggin," said Mrs. Knox airily; "we're in a
hurry to get home now."
The three protagonists looked at one another dubiously, and
simultaneously cleared their throats.
"I beg your pardon, Mrs. Knox, ma'am," began Mr. Goggin very
delicately. "Mr. M'Sweeny would be thankful to speak a word to you
before you go."
"Well, let him speak and be quick about it," returned Mrs. Knox, who
seemed to have recovered remarkably from her moment of emotion.
Public-domain text, read in full here on John Shaqi.
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