In Mr. Knox's CountrySomerville, E. Oe. (Edith Oenone)
General
In Mr. Knox's Country
Somerville, E. Oe. (Edith Oenone)
British -- Ireland -- Fiction; Ireland -- Social life and customs -- Fiction; Judges -- Fiction
I followed Andrew into the house and found myself in the kitchen. The
unspeakable dreariness of an auction was upon it. Pagodas of various
crockeries stood high on the tables, and on benches round the walls
sat, rook-like, an assembly of hooded countrywomen. A man with a dingy
pale face was standing in front of the cold fireplace, addressing the
company. On my arrival he removed his hat with stately grace, and with
an effort I recognised Cantillon the sweep, in mufti--that is to say,
minus some of his usual top-dressing of soot.
"It's what I was saying, Major Yeates," he resumed. "I'm sweeping
those chimneys thirty years, and five managers I seen in this house,
and there wasn't one o' them that got the price of their ticket to Cork
out o' that mine. This poor man was as well-liked as anyone in the
world, but there was a covey of blagyards in it that'd rob St. Pether,
let alone poor Mr. Harrington!"
The company assented with a groan of general application, and the
ensuing pause was filled by the piano in the next room, large and heavy
chords, suggestive of the hand of Andrew.
"God! Mrs. Harrington was a fine woman!" croaked one of the rooks on
the bench.
"She was, and very stylish," answered another. "Oh, surely she was a
crown!"
"And very plain," put in a third, taking up the encomium like a part in
a fugue, "as plain as the grass on the hills!"
I moved on, and met my wife in a crowd at the door of the dining-room,
and in an atmosphere which I prefer not to characterise.
"I've got the barometer!" she said breathlessly. "No one bid for it,
and I got it for five shillings! A lovely old one. It's been in the
house for at least fifty years, handed on from one manager to another."
"It doesn't seem to have brought them luck," I said. "What have you
done with Anthony? Lost him, I hope!"
"There have been moments when I could have spared him," Philippa
admitted, "especially when it came to his bidding against me, from the
heart of the crowd, for a brass tea-kettle, and running the price up to
the skies before I discovered him. Then I found him upstairs,
auctioning a nauseous old tail of false hair, amidst the yells of
country girls; and finally he tried to drop out of the staircase
window--ten feet at least--with a stolen basket of tools round his
neck. I just saw his hands on the edge of the window-sill."
"I think it's time to go home," I said grimly.
"Darling, _not_ till I've bought the copper coal-scuttle. Come and
look at it!"
I followed her, uttering the impotent growls of a husband. As we
approached the drawing-room the music broke forth again, this time in
power. Three broad countrywomen, in black hooded cloaks and brown kid
gloves, were seated on a sofa; two deeply-engrossed backs at the piano
accounted for the music. There is no denying the fact that a piano
duet has some inescapable association with the schoolroom, no matter
how dashing the execution, how superior the performers.
Public-domain text, read in full here on John Shaqi.
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