In New England Fields and WoodsRobinson, Rowland Evans
History
In New England Fields and Woods
Robinson, Rowland Evans
Natural history -- New England; Natural history -- Outdoor books
Beside it lies a great wild-cherry tree that somehow escaped the cabinet
maker when there was one in every town and cherry wood was in fashion.
Its fruit mollified the harshness of the New England rum of many an
old-time raising and husking. Next is a yellow birch with a shaggy mane
of rustling bark along its whole length, like a twelve-foot piece of the
sea serpent drifted ashore and hauled inland; then a white birch, no
longer white, but gray with a coating of moss, and black with belts of
old peelings, made for the patching of canoes and roofing of shanties.
With these lies a black birch, whose once smooth bark age has scaled and
furrowed, and robbed of all its tenderness and most of its pungent,
aromatic flavor. Some of it yet lingers in the younger topmost twigs
which the hired man brings home to the little folks, who fall to gnawing
them like a colony of beavers. By it is an elm, whose hollow trunk was
the home of raccoons when it stood on its buttressed stump in the swamp.
Near by is a beech, its smooth bark wrinkled where branches bent away
from it, and blotched with spots of white and patches of black and gray
lichen. It is marked with innumerable fine scratches, the track of the
generations of squirrels that have made it their highway; and among
these, the wider apart and parallel nail-marks of a raccoon, and also
the drilling of woodpeckers. Here, too, are traces of man's visitation,
for distorted with the growth of years are initials, and a heart and
dart that symbolized the tender passion of some one of the past, who
wandered, love-sick, in the shadow of the woods. How long ago did
death's inevitable dart pierce his heart? Here he wrote a little of his
life's history, and now his name and that of his mistress are so
completely forgotten one cannot guess them by their first letters
inscribed in the yesterday of the forest's years.
Above these logs, rolled up on skids or sled stakes, are smaller yet
goodly bodies of white ash, full of oars for the water and rails for the
land; and of black ash, as full of barrel hoops and basket splints, the
ridged and hoary bark shagged with patches of dark moss; and a pine too
knotty for sawing, with old turpentine boxes gashing its lower part, the
dry resin in them half overgrown, but odorous still; and oaks that have
borne their last acorns; and a sharded hickory that will never furnish
another nut for boy or squirrel, but now, and only this once, flail
handles, swingles, and oxbows, and helves for axes to hew down its
brethren, and wood to warm its destroyers, and smoke and fry ham for
them; and a basswood that will give the wild bees no more blossoms in
July, hollow-hearted and unfit for sleigh or toboggan, wood straight
rifted and so white that a chip of it will hardly show on the snow, but
as unprofitable food for fires as the poplars beside it, which, in the
yellow-green of youth or the furrowed gray of age, have shivered their
last.
Public-domain text, read in full here on John Shaqi.
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