In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
Weaving was a very respectable occupation. It is told that the regicide
Judge Whalley lived to great old age in Narragansett--one hundred
and three years--and earned his living by weaving. The son of the
Congregational minister at Narragansett, Dr. Torrey, was a weaver. The
province was full of weavers. Miss Hazard gives the names of many in
her “College Tom.” With all the spinning-jennies for spinning a vast
supply of thread and yarn, there were no power-looms in Narragansett
till 1812. Hand-looms made up all the yarn and thread that were
produced. The prince of Narragansett weavers was Martin Read. In 1761
he was baptized in St. Paul’s Church as “Martin Read, an adult, the
Parish Clerk.” He was a devoted lover of the church and was sexton
for many years. He led the singing, and it is said that under his
leadership the _Venite_ was first chanted in America. During the
troubled and rector-less days of the Revolution, he helped the parish
work along by reading morning-prayers and the funeral-service for the
dead.
He was apprenticed, an orphan, at seven years of age to a
diaper-weaver, and served till he was of age, with one term only of
schooling; but he was ambitious and read eagerly instructive books,
especially on weaving and kindred arts. He married the daughter of an
Irish weaver, and soon had journeymen and apprentices, whom he taught
to sing as they wove; and when they did not sing the men whistled the
airs, and with singing and whistling the work speeded.
This singing at the loom was not a peculiarity of Martin Read’s. We
know the exclamation of Falstaff: “I would I were a weaver, I could
sing Psalms and all manner of songs.” Nares says weavers were generally
good singers, and that as they sat at their work they practised
part-singing. Many of the weavers in Queen Elizabeth’s day were Flemish
Calvinists and therefore given to psalm-singing, hence Falstaff’s
reference.
One weaver, named James Maxwell, wrote some “Weaver’s Meditations”
in rhyme in 1756. The frontispiece of his book--his portrait at his
loom--is thus inscribed:
“Lo, how ’twixt heaven and earth I swing,
And whilst the shuttle swiftly flies,
With cheerful heart I work and sing,
And envy none beneath the skies.”
Martin Read reared his family well, and in the Episcopal Church.
His son, Rev. Dr. Read, preached for many years at Christ’s Church
in Poughkeepsie. He wove coverlets, blankets, broadcloth, flannel,
worsted, linen, tow-cloth, and calamanco. This last was a glossy
woollen twilled fabric, sometimes woven in a pattern in the warp. James
Fontaine, a Huguenot weaver, says it was made of a fine double-twisted
worsted. It was much used for the nightgowns and banians worn by
substantial citizens of the day, and for women’s winter-gowns.
Public-domain text, read in full here on John Shaqi.
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