In old Narragansett; romances and realities — John Shaqi
In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
Though Tuggie did not get the coveted dye-stuff, nor the recipe
therefor, she did not return home empty-handed; she managed to
pick without discovery a few leafless twigs from the great bush of
southernwood that grew by the stone doorstep of Bosum Sidet’s house,
and she felt that her visit had not been in vain. Fortune favored her.
As she passed the door of the tinker’s barn she slipped in unobserved
and clipped a few hairs from the tail of his cow. It would have been
much better, much surer, to have had these hairs from Bosum’s own head,
but to aspire to a fibre of his close-cropped wool was useless.
As Tuggie Bannocks walked home over the crisp snow she muttered to
herself with delight, and she glowered and scowled at the children as
she passed the school-house at the corner, and they hooted and jeered
at her in return, and called out, “Te-Rap, Te-Rap,” which everyone
knows is the greeting that witches cry out to each other.
She certainly was deemed a witch by her neighbors as well as the
children. And this reputation was not accidental, it was jealously
cultivated. She conformed her mien and behavior to all that was
expected of a witch; and she had been gifted by nature with one
feature which, much to her satisfaction, enabled her to exhibit
convincing proofs of her pretensions. She had two full rows of double
teeth (front teeth and all were double), which could be displayed to
telling and bewildering advantage to those who thought her “just like
other folks.”
She did have some uncanny habits; some that, a century previous, in a
Puritan community, would have set her afloat to sink or swim.
She never sat upon stool or chair or settle in anyone’s house; no one
had ever seen her seated save on a table or dresser or bed, or even on
a cradle-head--this to the painful apprehension of the mother who owned
the cradle. When spinning flax in one house she sat on a saw-horse. She
had not a chair in her house, but there was an oaken chair-moulding
at the top of the wainscoting in her spacious old kitchen; and it was
currently reported and believed that when she was alone she perched
or clung with her heels on this moulding. The Newport chap-man, Chepa
Rose, told at the Ferry that he saw her one night running round the
room on the moulding. But Chepa was not truthful, so I do not believe
it.
Public-domain text, read in full here on John Shaqi.
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