In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
They ran from side to side, and crowded each other against the paling
so unceasingly and so wildly, that Benny carried the unwilling ewe back
to the kitchen.
At nightfall, however, Benny again placed Nanny in the open field with
the sheep, thinking that they would gradually, throughout the darkness,
become used to the presence of her little harlequin jacket, and allow
her to graze by their side in peace.
That night two cronies of Benny’s came from a neighboring farm to talk
over that ever-interesting topic, the great snowstorm, and to buy some
of his lambs. The three old men sat by the great fireplace in the
old raftered kitchen in the pleasant glow from the blazing logs, each
sipping with unction a mug of Benny’s famous flip, while Debby rubbed
with tallow the sadly stiffened long-boots that had been worn in the
Christmas snow. Suddenly a loud wail of distress rang in their ears,
the door was thrust violently open, and in stumbled the breathless
form of the tall, gaunt old negress Tuggie Bannocks. She was a relic
of old slavery times, who lived on a small farm near the old Gilbert
Stuart Mill, on Petaquamscut River. They all knew her well. She had
bought many a pound of wool from Benny to wash and card and spin into
yarn, and she always helped Debby in that yearly trial of patience and
skill--her soap-making. The old negro woman had double qualifications
to make her of use in this latter work: her long, strong arms could
stir the soap untiringly for hours, and then she knew also how to work
powerful charms--traditional relics of Voodooism--to make the soap
always turn out a success.
Tuggie Bannocks sank upon the table by the fire, murmuring: “Tanks be
to Praise! Tanks be to Praise!” and closed her eyes in speechless
exhaustion. Debby took a half-crushed basket of eggs from the old
woman’s arm, drew off her red woollen mittens, and rubbed briskly her
long cold claws of hands. Benny had a vague remembrance of the old-time
“emergency” saying, “feathers for fainters,” and seized a turkey’s wing
that was in daily use as a hearth-brush, thrust it into the flames, and
then held the scorching feathers under the old negress’s nose until all
in the room were coughing and choking with the stifling smoke.
Spluttering and choking at the dense feather-smoke, Tuggie gasped
out: “I ain’t dead yit--I specks I shall be soon, dough--kase I seen
de ole witch a-ridin’--I’se most skeered to death” (then in a fainter
voice)--“gib me a mug of dat flip.” Startled, Benny quickly drew a
great mug of home-brewed beer and gave it a liberal dash of Jamaica
rum and sugar, then seized from the fire the red-hot “loggerhead” and
thrust it seething into the liquid until the flip boiled and bubbled
and acquired that burnt, bitter flavor that he knew Tuggie dearly
loved. The old woman moaned and groaned as she lay on the table-top,
but watched the brewing of the flip with eager eye, and sat up with
alacrity to drink it.
Public-domain text, read in full here on John Shaqi.
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